Process

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The creators of Don’t Hug Me I’m Scared offer us a glimpse behind the puppets

Rupa Anurendra uses found objects and handwritten type to create designs with a personal touch

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Anna Mills on how she imbues type with movement and personality

Get acquainted with Somerset House’s new digital platform, unearthing all things artistic process

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Taking inspiration from fangs, claws and thorns, Nguyen Gobber’s Lucifer typeface is devilishly good

Trevor Jackson, The Earth Issue, Butt Studio, Nwaka Okparaeke: Tickets are now available for September’s Nicer Tuesdays!

“I just got to be a little messier”: Nick Dahlen on working large scale and honing his artistic approach

7 September 2022

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Creative Transformations: At August’s Nicer Tuesdays, we hear about the power of embracing change

Callum Abbott on designing for Pitchfork and doing justice to the vast diversity of music

Eunkyoung Son captures the mesmerising qualities of glassware

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Minji Seo’s paintings show the awkwardness of humans

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Anonymous agency interviews reveal juniors eager for attention – and seniors on their phones

For Gabriella Brown, being a DJ and a designer is a match made in heaven

Self-pleasuring computers and fighting frogs: Dive into the spectacularly weird animations of Alistair Nicholls

“Intense, ambivalent and uneasy”: Tao Siqi explores the complexity of desire in her sensual paintings

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Leanne Rule recalls the hilarious experience of creating a Love Island advert

Five designers and studios creating beautiful book covers

Introducing Plates of Meat, the magazine that’s “perpetually working itself out”

What’s it really like in agencies? Anonymous interviews reveal smokescreen projects and tears over grids

Marie Gomis-Trezise explains how Nataal grew to become the premier platform for African creative talent