It's Nice That

The Pink Triangle: how a symbol moved from one of persecution to power

Jobs of the week from Here Design, Catalysis and BMG Production Music!

“Our goal is to democratise design”: Deem Journal on how it’s tackling systems of oppression

&Walsh’s identity for health food brand Plenty is inspired by McDonald’s

Best of the Month

From an in-depth study of rejection to a conversation with artist Lawrence Lek, here’s our favourite stories from the past few weeks.

Creative Lives in Progress is a vital connector between emerging talent and the industry

Lawrence Lek talks simulation art and his interest in the ambiguity between two paradoxes

Sameer Kulavoor’s paintings depict large-scale, bustling metropolises

Work
Art
...

The Burger King rebrand celebrates its design history and irreverent personality

The irony of cuteness: Meta Mascot explores mascot culture and its more sinister undertones

Aiste Stancikaite on why she likes to draw in shades of red – and red only

Work
Art
...

Bahati Simoens’ paintings are “a love letter to the Black body”

Work
Art
...

Featuring discarded work only, ICBQ magazine wants to talk about rejection as a designer

A New Angle: the Clear Water founders on shaking up creative education

Róisín Murphy and Bráulio Amado discuss their collaboration and the relationship between music and design

Róisín and Bráulio have found a symbiotic, organic way of working together over the past few years. We spoke to them about their process and why the album is still the perfect way to support artists you love.

Latest talks from Nicer Tuesdays

Eric Hu on the visual system behind NikeLab, tackled in 48 hours

11 December 2020

Prarthna Singh challenges the western idea of women in India

8 December 2020

Sofie Birkin on how to inclusively illustrate an adult sex guide

9 December 2020

Manju Journal on what it means to be part of the African aesthetic today

10 December 2020

“A project of continental peace”: over 150 rejected flags for Europe published 65 years after creation

Between 1949 and 1955, the Council of Europe received over 150 unsolicited flag designs, each from keen individuals hoping to represent the unification it symbolised.