The Mill is a world-leading visual effects company with bases in London, New York and Los Angeles. They provide pioneering effects solutions to advertising, music and the entertainment industry.
In other words, they are responsible for some of the most memorable visual effects work, from the History of Honda Advert to the billions of beauties for Lynx. They’ve even bought Bob Monkhouse back to life. Pictured though is the ‘Drop pillows not bombs’, a piece for Absolute.
Check out their extensive archive and podcast that shows selected projects in more detail.
- Manshen Lo creates surreal, comic-inspired observational illustrations
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum