As one of the founders of both Pentagram and D&AD, Alan Fletcher left an indelible mark on the design world. But as is often case with such a towering figure, the iconography can predominate and the real person recedes as we consider his life and work. What a treat then that for the new issue of Printed Pages we were given access to his sketchbooks, thanks to his wife and daughter Paola and Raffaela.
It feels thrillingly intimate to look through his sketches and doodles, of footballers and dogs and toast and swimmers and trees. There’s ideas for logos and an intriguing breakdown of how he thinks the creative brain works. There’s also lists and notes for himself – most splendidly of all a reminder to get a Christmas card for Peter Blake!
Of course the temptation is to try and imbue every mark with some grand meaning but these can equally be enjoyed on their own terms as a glimpse into the mind of one of graphic design’s true greats.
- Victor Fonseca treats his graphic design practice like a “playground”
- Photographer Jack Latham investigates the hidden conspiracies of Bohemian Grove
- Stella Park’s warm illustrations reflect her outlook on life
- Ugly beauty and challenging established norms feature in Jade Palace's collaboration with Yat Pit
- Astrid Seme elevates an artist’s work by challenging it through the lens of design
- Elizabeth Hibbard’s unsettling photographs examine subjective experience with a visceral gaze
- New study claims to pinpoint the most creative time of day, down to the minute
- Singapore-based studio Swell explores the idea of the banished book
- "My little niece and my grandmother like the game equally": how Playables made the simply addictive Kids
- In being "open to possibilities" still life painter Duane Keiser paints the everyday joys of life
- What the cluck? KFC releases limited-edition bucket hat
- For Bizzarri-Rodriguez, book design “is everything except a science”