As one of the founders of both Pentagram and D&AD, Alan Fletcher left an indelible mark on the design world. But as is often case with such a towering figure, the iconography can predominate and the real person recedes as we consider his life and work. What a treat then that for the new issue of Printed Pages we were given access to his sketchbooks, thanks to his wife and daughter Paola and Raffaela.
It feels thrillingly intimate to look through his sketches and doodles, of footballers and dogs and toast and swimmers and trees. There’s ideas for logos and an intriguing breakdown of how he thinks the creative brain works. There’s also lists and notes for himself – most splendidly of all a reminder to get a Christmas card for Peter Blake!
Of course the temptation is to try and imbue every mark with some grand meaning but these can equally be enjoyed on their own terms as a glimpse into the mind of one of graphic design’s true greats.
- Manshen Lo creates surreal, comic-inspired observational illustrations
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum