As one of the founders of both Pentagram and D&AD, Alan Fletcher left an indelible mark on the design world. But as is often case with such a towering figure, the iconography can predominate and the real person recedes as we consider his life and work. What a treat then that for the new issue of Printed Pages we were given access to his sketchbooks, thanks to his wife and daughter Paola and Raffaela.
It feels thrillingly intimate to look through his sketches and doodles, of footballers and dogs and toast and swimmers and trees. There’s ideas for logos and an intriguing breakdown of how he thinks the creative brain works. There’s also lists and notes for himself – most splendidly of all a reminder to get a Christmas card for Peter Blake!
Of course the temptation is to try and imbue every mark with some grand meaning but these can equally be enjoyed on their own terms as a glimpse into the mind of one of graphic design’s true greats.
- Experimental photography magazine Bill plays with the notion of the image as a material object
- Thomas Demand in conversation with It’s Nice That
- For Alice Monvaillier, animation is a "pretty magical process"
- My Body Feels Amazing: Elevator Teeth uses words and images to conduct a dialogue with the self
- City Edition Studio creates projects with a soft, collaborative and kind tone of voice
- Jack Smyth talks us through what makes a successful book jacket design
- “The future of design is in the creation of tools”: Meet the Space Type Generator
- Master one style or stay versatile? Illustrators discuss the pros and cons
- WeTransfer tell users to "Please Leave" in new short film
- Youngchae Lee illustrates what “alone time” feels like in large landscapes
- Yushi Li on photographing men she met through Tinder
- When Hollie Fernando forgot her age, she decided to take her first self-portraits