Launch Recite Me assistive technology
An illustration of a person with long red hair lying in bed on a green background. They are curled up under a pink blanket, with their hands covering their face.

Anna Degnbol’s music video for Flunkie is like “napping in the sun and having a weird dream”

—
Date
7 May 2019

“I wanted to create something that was very calm and seemed like it was vibrating softly,” says illustrator and animator Anna Degnbol of the music video she’s created for band Flunkie’s song Collapse Rebuild. “The track has this amazing vibe, where it both exudes vulnerability and intimacy and something super powerful. I wanted to create something safe, like taking a nap in the sun and having a short, weird dream.”

The band gave Anna a totally open brief, asking her to have fun with the track. “It was really motivational to be trusted that much, and it made the project a lot more interesting,” says Anna. Echoing the song’s lyrics, Anna’s animation follows the collapse and rebuilding of elements – some psychical like candles and vases, others more intangible like sleep and the relationship between a girl and a sun man, all in a flittering, fragile-seaming style.

“I think my style reflects that my background is in illustration and graphic design, both in the sense that I am untrained and naive in the way I animate, but also in the sense that I build up my animations in a similar way to when I’m working on comics, focusing a lot on characters and their stories,” says Anna. Drawing all the frames by hand on a light table, Anna then scans, colours and puts sequences together digitally. “I think about the way I build the clips together as if they were panels on a comic, always trying to ensure rhythm and dynamism by switching between close ups, landscapes and character shots.”

Anna only started experimenting with animation last year and has developed her skills from having zero knowledge previously. Though animating each frame by hand is time-consuming, it’s a really great way to develop the portrayal of movement and rhythm. “I love the realisation that you don’t have to be insanely talented or trained to create something that moves. Additionally, the lack of knowledge about animation can also contribute to some cool things,” she finally adds.

An illustration of drooping pink flowers and long green leaves. The background is split vertically between a textured black side and a solid blue side.
Above

Anna Degnbol: Collapse // Rebuild

An illustration of a person in profile against a plain green background. They have long, reddish-pink hair and a neutral expression.
Above

Anna Degnbol: Collapse // Rebuild

A series of eight line drawings showing a figure walking in a loop. The sketches are arranged in two rows of four, capturing the movement from different angles.
Above

Anna Degnbol: Sketches for Collapse // Rebuild

An illustration of a person with long red hair lying in bed on a green background. They are curled up under a pink blanket, with their hands covering their face.
Above

Anna Degnbol: Collapse // Rebuild

An illustration of a black screen displaying a green, knotted loop against a red background. Below the screen, a black sideboard holds a vase of tulips, a candle, a small bowl and a pink jug.
Above

Anna Degnbol: Collapse // Rebuild

A series of black and white line drawings showing a person with long hair. In one frame, they embrace a stylized sun with a human face.
Above

Anna Degnbol: Sketches for Collapse // Rebuild

An illustration of a person in a green bodysuit carrying another person on their back against a solid blue background. The person being carried has a spiked, sun-like head and a neutral expression.
Above

Anna Degnbol: Collapse // Rebuild

Share Article

About the Author

Laura Snoad

—

Laura is a London-based arts journalist who has been working for It’s Nice That on a freelance basis since 2016.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.