“I mean, yes, we’re sinking … but the music is exceptional.” Overheard on The Titanic is one of Austin Kleon’s many ‘blackout poems’, perhaps my favourite. I’m certainly sore I didn’t grab the wee version from 20×200 in time.
Also of note, Austin’s recent post ‘How to Steal like An Artist (And 9 Other Things Nobody Told Me)’ – a refreshing and brilliantly candid piece of writing about the creative process, whatever your discipline.
- Mariana Malhão's illustrations depict "a world inside a world"
- Max Siedentopf offers silly but significant advice in his latest series, Instructions for World Peace
- XZY explores the “visual alchemies of the phenomenon fake" in its debut issue
- Steven Bliss' distant yet familiar series, Boys
- Friday Mixtape: Shopping pick a mix of bands to be excited to be about
- Illustrator Cécile Dormeau on body diversity and defying convention
- The Guardian unveils redesign across print and online
- Aron Klein's captivating images of the Bulgarian demon chasers
- The rebrand for Russia’s tourist board uses Suprematist geometry laid out as a map
- Compare your selfies to fine art through the Google Arts and Culture app’s newest feature
- Coca-Cola reveals custom typeface, TCCC Unity, inspired by its modernist heritage
- Graphic designer Bryan Rivera references mistakes and imperfections in his portfolio