“I mean, yes, we’re sinking … but the music is exceptional.” Overheard on The Titanic is one of Austin Kleon’s many ‘blackout poems’, perhaps my favourite. I’m certainly sore I didn’t grab the wee version from 20×200 in time.
Also of note, Austin’s recent post ‘How to Steal like An Artist (And 9 Other Things Nobody Told Me)’ – a refreshing and brilliantly candid piece of writing about the creative process, whatever your discipline.
- “An endless love story”: Claudine Doury returns to the Amur River to photograph its people
- Peter Millard gives a humorous account of his journey so far
- “They’re the only things I would save in a fire”: A peak inside Hattie Stewart’s marvellous sketch books
- Illustrator Katy Stubbs on moulding her dishy stories out of clay
- Tom Noon on his musical, spontaneous and illustrative approach to graphic design
- Nazif Lopulissa rethinks the shapes and forms of the children’s playground
- “We want to challenge and disturb the audience”: meet graphic design studio Alliage
- Matt Willey leaves The New York Times Magazine and joins Pentagram
- Ikki Kobayashi’s new series investigates the tension between shapes and negative space
- “Perfectly beautiful things don’t attract me”: Heesun Seo on her nontraditional practice
- The Pantone Colour of the Year 2020 makes a statement about peace and communication
- Moleskine’s digital notebook and a visual inventory of Earth win Apple's Apps of the Year