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A split view of two rooms in contrasting colours. On the left, a lime green hallway features a metal railing and stairs; on the right, a narrow orange bathroom is covered in graffiti and stickers.

Discos and design explored in gorgeous new Bedford Press book Nightswimming

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Date
27 November 2015

“Nowadays discotheques are hardly ever spaces designed by architects; they are rather temporary occupations of spaces dedicated to other functions,” laments Bedford Press in the introduction to its beautiful new publication dedicated to design and discos.

The book, Nightswimming: Discotheques from the 1960s to the Present showcases images by Giovanna Silva that examine the history of dance clubs through an architectural lens. As the publisher puts it, “the history of dance clubs is undoubtedly an anthropological as well as architectural phenomenon,” but whichever way you look at it, human behaviour is forever shaped by spacial considerations.

Alongside the imagery the book, created by Chiara Carpenter & Giovanna Silva, also presents a number of interviews and critical texts around the topic. It was this mixture of rich visual imagery and academia that inspired the design. “That was the starting point for our decision not to include photography on the front cover,” explains Wayne Daly, co-founder of the AA Print Studio imprint Bedford Press. “It would be misleading to suggest it’s purely a photobook, so the cover’s rather plain and we used the back cover to introduce an idea of what the content’s about.”

Wayne and his team got involved in the project having known Giovanna from her work with architectural magazine San Rocco, and worked closely with her and Chiara to determine a layout that worked with the range of photographs. “They had a very clear idea of how to create a rhythm, so we used a mixture of smaller images broken up with double-page spreads showing the clubs being used and occupied. They’re also broken up by critical essays about the history of the architecture.”

The typeface is a neat, clear and stylish sans serif chosen not just for its look, but for its associations with a certain era. “We chose Unica77 from the Lineto Swiss type foundry, it’s a reissued typeface from 1977 that’s been approved and reworked,” says Wayne.

As the quiet, impartial images in the book show, the idea of designing a nightclub space is something that’s become increasingly rare. While clubs of yesteryear were created for the nocturnal, built for dancing and decadence, today the spaces are appropriated and often temporary.

The book is published in January but can be ordered before then from the AA Bookshop or the ICA, which is hosting the Radical Disco: Architecture and Nightlife in Italy, 1965–1975 show from next month. The show’s curators will join Giovanna and Chiara for an evening lecture at the AA on Thursday 25 February.

A group of people gather in a narrow corridor bathed in deep red light. Above the doorway, a glowing green exit sign reads “Way Out”.
Above

Giovanna Silva: Cocoricò, Riccione

A crowd of people stand with their backs to the camera, facing a stage at a night event. Behind them, a row of glowing blue screens displays yellow zodiac symbols.
Above

Giovanna Silva: Number One, Cortefranca

The ornate interior of a grand theatre, featuring a vaulted ceiling with two large, classical paintings. A massive crystal chandelier hangs in the centre, surrounded by rows of glowing lights and gilded carvings.
Above

Giovanna Silva: La Paloma, Barcelona

A dark corridor lit by red neon tubes on the ceiling. To the left, an open doorway reveals a brightly lit yellow room, while a second doorway at the end leads to a red-lit space.
Above

Giovanna Silva: Cocoricò, Riccione

A dimly lit industrial corridor bathed in red and green light. A heavy circular hatch is set into a weathered brick wall, beside a small set of steps leading to a dark door.
Above

Giovanna Silva: Tresor, Berlin

A two-page spread from a book featuring four photographs of a nightclub or event space. The images show a DJ at a booth, guests under chandeliers, and a crowded dance floor lit with purple and red lights.
Above

Giovanna Silva: Tresor, Berlin & Sala Apolo, Barcelona/Plastic, Milan & Number One, Cortefranca

A white book cover with the word “Nightswimming” printed in a clean, black sans-serif typeface. The text is positioned in the top left corner against a plain white background.
Above

Bedford Press: Nightswimming: Discotheques from the 1960s to the Present cover

A black and white diptych. On the left, two people stand facing each other in a dark room under a sign that reads “ROSSO”. On the right, a hand-drawn map of Rome features various street names and numbered circles.
Above

Gabriele Basilico: Dancing in Emilia 1978, Gabriele Basilico, Silvana Editoriale, Milano 2013
Corrado Rizza and Marco Trani: I love the nightlife, Wax Production, Roma 2010, detail

A black and white image split into two panels. The left shows a graphic logo of a stylised building inside a black square, with the text “Studio 65” above and “Electa” below. The right shows a photograph of a large, concrete industrial building with a truck parked in front.
Above

Giovanna Silva:

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About the Author

Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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