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A collection of stationery and promotional materials for the “M’FA” Marfa Festival of Art. The set includes a formal letter on white paper, a brown kraft envelope, a grey business card, and two blue and white event posters.

Considered and uncomplicated design from LA-based Ben Schwartz’s growing portfolio

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Date
9 May 2016

A recent grad from California’s ArtCenter College of Design, Ben Schwartz’s portfolio is chock full of projects that show real promise from the young graphic designer. One in-depth project is Radical Transparency – a book that uses Wikileaks “to examine the current state of privacy and information availability,” by gathering and archiving documents. The monochrome book is simply designed to let the material speak for itself. Ben has taken the project further by creating an installation that uses two printers to print out realtime information from Twitter and other social media sites about Wikileaks, as well as a series of propaganda-like posters.

Several of Ben’s projects are for fictional briefs, but it’s great to see the designer take initiative and build on his portfolio himself, especially when they’re so well-researched and considered. His imagined identity for Marfa Festival of Art plays into the minimalist associations the Texas town has garnered. The identity is a delicate mix of ice cream-coloured textures and shades with purple text laid over the top and interspersed with outlined shapes. The key words and phrases seen throughout are references to the manifesto of Donald Judd, the sculptor responsible for much of Marfa’s look and feel.

Two pink pamphlets for the “Marfa Festival of Art (MFA)”. The left cover features a geometric layout of the event name and the words “Official Guide”. The right page contains a short introductory text about the three day event.
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Ben Schwartz: Marfa Festival of Art

Three posters for a 2016 event in Marfa, Texas, featuring bold blue typography on cream, teal and pink backgrounds. The posters advertise performances by “Nick Cave & The Bad Seeds”, “The Holy Mountain 1973” and “AronCG Curry Cosmic Future”.
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Ben Schwartz: Marfa Festival of Art

A typographic poster on crumpled grid paper reads “STRONG ENCRYPTION CAN RESIST AN UNLIMITED APPLICATION OF VIOLENCE.” The top of the page is labelled “RADICAL TRANSPARENCY” and the bottom reads “WIKILEAKS ARCHIVE PROJECT”.
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Ben Schwartz: Radical Transparency

A black and white poster reads “RADICAL TRANSPARENCY” at the top. Three blocks of bold text are each crossed out with a large X, reading “PARANOIA IS STRUCTURE.”, “IT IS LOGISTICS.” and “SOFTWARE & HARDWARE”. The bottom of the page features the “WIKILEAKS ARCHIVE PROJECT” wordmark. Small text in the corners provides project details and poster dimensions.
An open book features a black and white pattern of white polka dots. The phrase “keep shoot.” is repeated in small white text between the dots across both pages.
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Ben Schwartz: Radical Transparency

An open book shows a page of dense text and a list of websites. The opposite page features a bold typographic layout that reads “Free Speech Has A Number” followed by the IP address “88.80.13.160.” in red.
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Ben Schwartz: Radical Transparency

A black and white typographic poster reads “PATTERN RECOGNITION AND ALGORITHMS ARE REPLACING THE IDEA OF ETHICS”. The bold text is fragmented by dots and dashes, resembling Braille or computer code. At the top, a header reads “RADICAL TRANSPARENCY”, and the bottom identifies the “WIKILEAKS ARCHIVE PROJECT”.
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Ben Schwartz: Radical Transparency

A black and white typographic poster featuring bold, distorted text. The top section reads “THERE IS NO TRANSPARENCY WITHOUT AWARENESS”, while the bottom reads “BLACK TRANSPARENCY IS INSTINCTIVE”. Swirls of tiny, dense text drift across the page like clouds, partially obscuring the main headlines.
A yellow poster with bold black typography reads “FIVE LINE CORAL SAU CEDO”. A central box advertises a “PSYCHIC ADVISOR” who promises results in three days. The bottom of the poster displays the dates “3.04–3.10” and a footer with small classified ads and the text “FIVELINE GALLERY.US”.
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Ben Schwartz: Fine Line Gallery

A black and white typographic poster featuring the name “Stephen Serrato” in large, bold white letters. The text is split across the page, with “Stephen Serr” on the left and “ato” on the right. Below the name, three columns of text list “Real people real results”, “Real people real action” and “Real people real passion”, each followed by a toll-free phone number. The bottom half of the poster reads “Five Line 3.11–3.17” in large outlined lettering.
Two yellow booklets with bold black typography. The first reads “FIVE LINE GALLERY” stacked vertically, while the second displays “FLG01”, “FLG08” and the year “2016”.
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Ben Schwartz: Fine Line Gallery

An open book with bright yellow pages. The right page features bold, stacked typography that reads “CORAL SAUCE DO”.
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Ben Schwartz: Fine Line Gallery

A black and white typographic poster featuring the name “Le Corbusier” in a large, bold serif font. A pink translucent shape with the letters “IUA” is laid over the text. The layout includes columns of placeholder text and a detailed schedule of lectures and dates. At the bottom left, smaller text reads “Unbuilt Series: 002”.
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Ben Schwartz: Institute of Unbuilt Architecture

A black and white poster for the “Dom-ino House” by Le Corbusier. A large black vertical block contains the title in white, alongside a green “IUA” logo. Above, two people examine an architectural model, with the date “June 2016” printed at the top.
An open book showing a collage of red and white website screenshots. The pages feature various “Leaks” sites, including “Local Leaks”, “BaltiLeaks”, and “KitLeaks”, with a mix of English and Japanese text.
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Ben Schwartz: Radical Transparency

A white book cover features the title “Radical Transparency” and the text “Wikileaks Archive Project Vol: 001 2006–2015”. A large, fluid black scribble loops across the centre of the page.
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Ben Schwartz: Radical Transparency

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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