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An open book displays two colourful posters. The left page shows a psychedelic typographic poster that reads “Native New Yorker A Return to Good Room The Niky Siano Birthday Extravaganza!”. The right page features a poster with a distorted, abstract figure in red, blue and green against a white grid, topped with the word “Fennesz”.

Say Hello, Wave Goodbye: This is the last of Bráulio Amado’s yearly books

The designer and illustrator is bringing his yearly book series to an end, “mainly because I’m sick of doing it and they had to end sometime”.

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Date
19 July 2023

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For the past seven years, Bráulio Amado has been releasing an annual book jam packed with an array of projects, personal work and photographs from the previous year. It’s been a precious insight into the workings of one of our favourite designers practising today – a peek into how he works, how his style has evolved and the odd look into his everyday life. But the time has finally come. “Some things in nature move in cycles of seven years, so I thought it was a good number to end with,” Bráulio says. But, also, he admits “mostly because I’m sick of doing these and they had to end sometime.” Lol.

Bráulio has always tried to make each edition slightly different, with new ways of organising the projects and including information. Though the main form has never changed all too much to ensure the books felt like a collection. What’s more is that each of the covers have existed as a a frame-by-frame animation, Bráulio explains, with each one “riffing off the previous issues cover”. Fittingly, for the seventh edition, Bráulio has opted for a near plain black cover (apart from two of his trademark flowers) “to mark the ending”.

An open book showing two pages of colourful illustrations. On the left, a blue character with a pink belly and large whiskers stands under a white arrow. On the right, a close-up of a blue face with a red tongue and a small figure of a mobile phone with eyes.
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Bráulio Amado: 2022 (Copyright © Bráulio Amado & Stolen Books, 2023)

Signposting some of the standout work from the book, Bráulio draws attention to his Good Room posters – a collection he sees as some of his “best” work. “I’m very lucky to have so much freedom to create these, they almost work like a sketchbook where I’m having fun and trying out new stuff, and often those new experiences bleed into other projects, and I think that’s more noticeable on this issue,” he says. Other projects stand out to Bráulio for their pertinence and the memories they hold. Invited to a residency in Grottaglie in Italy by Angelo Milano from Studio Cromie, the pair spent their time walking round the town, turning “random daily things and moments” into screen-printed pieces – “it was a lot of fun”, Bráulio says. In this addition you’ll even be treated to pictures of Bráulio himself in his studio. Well, kind of. Enlisting the help of his friend Michael Marcelle to take the photos, they show Bráulio in a fleshy mask examining items from his space, adding a bit of “weirdness and silliness” to the book.

On the whole, Bráulio feels as though not much will change following the end of the books. One thing he does know, however, is that he still wants to put his energy into publications. Yet this time they will focus on a broader concept, story or theme. In the meantime, Bráulio is hoping to take some time to “chill out” and take his time with some personal projects. “Maybe a book every five years? ten?,” Braulio says. “Who knows.” On our behalf, goodbye yearly book! You’ll be missed.

GalleryBráulio Amado: 2022 (Copyright © Bráulio Amado & Stolen Books, 2023)

A person with a bald head and makeup looks at the camera while holding a magazine. In a second image, they hold up a magazine cover titled “Texas Monthly” with the headline “Sex, Scandal & Sisternoon”.
A double-page magazine spread shows a person holding up a printed page. They wear a white T-shirt with black stripes on the sleeves and blue jeans.
An open magazine showing two pages of artwork for the band Haim. The left page features a purple flower on a dark background with the text “Haim” and “Women in Music Pt. III”. The right page shows the band name “Haim” above an illustration of a knife slicing through red berries. Below this, two red pots hold colourful flowers with smiley faces.
An open book shows two album covers on a grey background. The left page features a colourful abstract painting and a tracklist for “Dumb”, while the right page shows a playful illustration of figures and a dog for “Hércules Clube de Recreio”.
An open book displays two pages of abstract, colourful artwork. The left page features scribbled lines and shapes in green, red and blue over the text “Soul Clap”. The right page is a collage of geometric forms, bold stripes and a red rectangular frame.
An open book shows two pages of graphic design. The left page features a bold, abstract collage in red, green and black, with text at the bottom reading “Fixed” and “John Talabot”. The right page contains two photographs and handwritten notes, including the date “Friday Sept 30th”.
Two open pages of a lookbook featuring soccer-inspired clothing. On the left, two people stand in colourful jerseys and shorts; on the right, a person sits on a blue stadium bench wearing a yellow jersey and a patterned scarf.
An open book shows two pages of an exhibition. The left page features six identical prints of a stylised figure on a concrete wall. The right page shows two similar prints and a table with a flat artwork resting on it.
An open book shows two pages of graphic design work. The left page features a black and white illustration of two people grilling food under the heading “Dad & Step-Dad”. The right page displays two logos, including a red and yellow typographic design that reads “Pi Long”.
A black book cover features two circular stickers in the top right corner. One sticker is pink and the other is white, both depicting a simple, hand-drawn flower character.
A high-angle shot of a white room bathed in blue and pink light. A person sits at a desk in the centre, surrounded by screens and equipment.

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Bráulio Amado: 2022 (Copyright © Bráulio Amado & Stolen Books, 2023)

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About the Author

Olivia Hingley

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Olivia (she/her) is associate editor of the website, overseeing the day-to-day editorial projects as well as Nicer Tuesdays events. She joined the It’s Nice That team in 2021. [email protected]

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