Bridget Riley’s work is utterly fascinating to me. Her enormous geometric canvases, ranging from illusory patterns to orderly explosions of colour have developed over the course of her career to create an extensive oeuvre exploring every dark corner of shape and form. Behind the expansive canvases lies a deeply methodical approach which, although invisible to the viewer, is the concrete foundation to her work, and in this new UK retrospective at the De La Warr Pavilion the accompanying studies will be displayed alongside the finished canvases. Spanning 50 years worth of her curve paintings and including more than 30 paintings and studies, it looks set to be a show to remember.
Bridget Riley: The Curve Paintings 1961-2014 runs from 13 June until 6 September at De La Warr Pavilion, Bexhill on Sea.