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The cover of a magazine with a bright red header featuring stylised, black typographic lettering. Below, a black and white portrait shows a person with grey hair looking thoughtfully at the camera. A smaller image shows a pink faux-fur garment suspended by gold cords, alongside further blocks of abstract, black lettering and pricing in US, EUR and UK currencies.
The cover of a magazine with a bright red header featuring stylised, black typographic lettering. Below, a black and white portrait shows a person with grey hair looking thoughtfully at the camera. A smaller image shows a pink faux-fur garment suspended by gold cords, alongside further blocks of abstract, black lettering and pricing in US, EUR and UK currencies.

Bureau Mirko Borsche art directs the new issue of Tunica magazine

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Date
28 September 2017

“If somebody invites you as a guest art director for a magazine, you want to make it something special, like everybody would want to,” says Mirko Borsche on his studio being asked to art direct the AW17 issue of Tunica magazine. With past art directors of the international culture magazine including Julia, Folch Studio and Studio Lin, Bureau Borsche embraced the challenges it presented: “The thing about having a one off is you don’t have to create a design which has to last for several issue – it gives you more space for experimenting.”

In signature Bureau Borsche style, it’s a punchy hit of black, white and red. “The aesthetics are a mix between classic elements, like the serif font and the grid, and some distorted elements,” explains Mirko. “The calligraphic font is also a mix between classic and 80s tags. The body text sizes vary to the long of the text to create a busy environment and scratches, graphic codes and fades are also part of the design.”

The calligraphic type was designed especially for Tunica and Mirko thinks it’s brave for the mag to use a font “which isn’t easy to read” but instead makes a statement. “Our aim was to create a font for the magazine that works as a corporate identity, helping it stand out on the shelf as well as creating a post out of the cover artwork,” says Mirko.

With the studio in Munich and Tunica based in New York, the time difference was the main difficulty in terms of process and never properly meeting the people you’re working with. “After turning a few design around, trying out different style and looks, we found a good mixture all together, that in the end made all of us happy,” Mirko explains. “The challenge about magazine design is that your design idea must be flexible all the time, because compared to other design disciplines, the content, advertising and text length varies and changes from magazine to magazine, which makes it very hard to plan a certain design, and instead you react and adapt your designs to what your given.”

Mirko adds: “I think it always sounds super to design a new look for a magazine and then when you work on it reality hits you hard and you realise how many beautiful and unique magazines are out there already.” With a choice of four covers to choose from, this is the sixth issue of Tunica and has contributions from Michael Bailey-Gates, Filip Custic, Cordova Canillas and many more.

A series of six screenshots showing a digital chat conversation between two people. The messages are displayed in a simple interface with text bubbles and a small yin and yang symbol as a profile icon.
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Bureau Mirko Borsche: Tunica AW17

A layout of a printed briefing document featuring bold, black abstract shapes and serif typography. The text is arranged in columns and includes the heading “Briefing” addressed to Julien Pounchou and Kiwi Bravo.
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Bureau Mirko Borsche: Tunica AW17

A two-page magazine spread featuring the work of Max Hooper Schneider. The top image shows a translucent, organic sculpture inside a glass vessel, while the bottom image shows a dense, neon-lit installation of synthetic plants and cables. The accompanying text is titled “Max Hooper Schneider” and is written by Martina Alemani and Janelle Anne.
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Bureau Mirko Borsche: Tunica AW17

A two-page magazine spread featuring a person in two different outfits. On the left, they wear an orange top and trousers with beige boots, posed against a colourful abstract background with the text “Aesthetics: Making visible an individual’s relationship with oneself, out of self-interest.” On the right, they wear a black patterned coat and polka-dot boots, posed in profile against a metallic, geometric backdrop.
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Bureau Mirko Borsche: Tunica AW17

A two-page magazine spread. The left page features two portraits of people in high-fashion clothing and a list of credits. The right page shows a person in a patterned dress with their hands raised, under the headline “Existence exists”.
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Bureau Mirko Borsche: Tunica AW17

A layout of an interview featuring three photographs of a person. They are shown in a close-up of their hand holding a small object, wearing a VR headset, and reclining on a bed. The images are interspersed with columns of text.
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Bureau Mirko Borsche: Tunica AW17

A diptych of two black and white photographs. On the left, a person lies back with a computer keyboard laid over their chest. On the right, a close-up of an eye with the text “Seen 2:28am” and a tick mark tattooed on the skin below.
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Bureau Mirko Borsche: Tunica AW17

A 3D render of abstract, geometric shapes in grayscale. The forms are arranged in two rows, resembling distorted, architectural lettering against a grainy grey background.
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Bureau Mirko Borsche: Tunica AW17

An open magazine spread featuring an interview with artist Carly Mark. The left page shows a small screen displaying a 3D render of a figure in a green landscape, while the right page shows a close-up of a colourful, distorted face.
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Bureau Mirko Borsche: Tunica AW17

A side-by-side comparison of two photographs showing a person from behind, draped in fabric. On the left, they sit on blue and yellow foam blocks against an orange backdrop, wrapped in clear plastic. On the right, they sit on a wooden bookshelf in a sunlit room, wrapped in a white sheet.
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Bureau Mirko Borsche: Tunica AW17

A magazine spread featuring three images. On the left, a beach towel with a print of two white horses hangs outdoors. In the centre, a small photo shows a single palm tree on a sandy beach. On the right, a person in a bright pink swimsuit stands on a desk in an office, arm raised.
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Bureau Mirko Borsche: Tunica AW17

A magazine cover with a red header featuring the title “Turica Magazine” in a bold, black gothic typeface. Below, a surreal image shows a floating head above a white lab coat, surrounded by stylized, illegible black text. A smaller image in the bottom right shows a person in a red and black outfit posing against a geometric backdrop.
Above
Left

Bureau Mirko Borsche: Tunica AW17

The cover of a magazine with a bold red header featuring stylised black typography. Below, two photos are paired with blocks of abstract, illegible black lettering. One photo shows two people in white and red outfits in a gym, while the other shows a person taking a selfie against a cloudy sky.

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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