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Championing creativity

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Work / Graphic Design

Graphic designer Cecilia Serafini uses typography with vibrant panache

Words by Lucy Bourton, Wednesday 24 May 2017

In graphic designer Cecilia Serafini’s biography she says she completed an MA in Graphic Design at the London College of Communication in 2014 and “has been busy working ever since,” and she’s not wrong.

Cecilia’s work uses typography to elevate a publication or poster’s content. Whether it be a bold serif or thinner sans-serif used, the designer’s work touches upon various styles but maintains her own consistently vibrant panache.

Working mostly in editorial design Cecilia’s recent clients include, Rodnik Band for Urban Outfitters, childrenswear brand Elias & Grace and Serpentine Gallery which the designer created a booklet for during their exhibition Miracle Marathon in 2016. The posters included in her portfolio are mostly for music clients and she has shared the first in a series of posters she will be completing for Helen Nisbet, who is completing a curatorial fellowship at Cubitt Gallery.

More recently Cecilia has joined the design team at Boiler Room, a great fit for a designer like herself who regularly visualises musical content.

Serpentine_2 — Cecilia Serafini: Miracle Marathon for Serpentine Gallery

Serpentine_1 — Cecilia Serafini: Miracle Marathon for Serpentine Gallery

Br_homeshake — Cecilia Serafini: Boiler Room

Poster_analuz — Cecilia Serafini: Ana Luz poster

Poster_kairo — Cecilia Serafini: Kairo Poster

Poster_leonora — Cecilia Serafini: Leonora Poster for Cubitt Gallery

Poster_paulatrama — Cecilia Serafini: Paula Trama Poster

Poster_sxsw — Cecilia Serafini: SXSW Poster

www.ceciliaserafini.com

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Tiziana Jill Beck explores the identity of anonymous travellers through masks 20 September 2018
The new issue of Indoek brings America's oldest city to life 20 September 2018
Master of plasticine Kate Isobel Scott is back with a new animation 20 September 2018

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Lucy Bourton — 18 September 2018
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Jyni Ong — 18 September 2018
Work / Illustration Dairy drinks and cigarettes meet in Lucas Reis' illustrative evocations of Japan

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Josh Baines — 18 September 2018
Work / Art Travis Alabanza’s radical performance practice is disrupting politeness and gratitude

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Jyni Ong — 18 September 2018
Features / Graphic Design “Go, go, go”: how DIA messed with design theory, only to improve it

Moving. This one word sums up everything New York-based design studio DIA embodies. Movement is in the neoteric, kinetic identity systems it creates and the processes it uses to construct them. Moving forward is in the ethos that drives its leaders Mitch Paone and Meg Donohoe to redefine with graphic design is. DIA is always moving and, in turn, its solidified itself as the master of typography in flux. It’s a studio which messes with design theory only to improve it, leaving the rest of us scrambling to catch up. Despite a somewhat-earnest façade, DIA is a studio built upon the interpersonal relationships it harbours, particularly between Mitch, founder and creative director, and Meg, managing partner. “We are on the same page with just about everything,” Mitch explains, “Same taste in design, art, food, architecture, vacations.” This “universal compatibility,” as he describes it, feeds through everything they do, in or outside of work, forming the basis of their collaboration. “Most importantly,” he continues, “there is a balance of our mindsets. Meg steers the ship with a long-term vision, whereas I am very much immersed in immediate creative tasks.”

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Ruby Boddington — 17 September 2018
Work / Publication Blessure magazine is an "ironic" publication that communicates through its anti-design layout

Blessure magazine, designed by France-based Chambre Charbon, is an alternative magazine drawing similarities between ten to fifteen different artists for every issue. ‘Blessure’ means ‘wound’ in French, referring to the novelist Jean Genet’s words on Giacometti. Genet admired Giacometti’s ability to capture the fundamental, raw essence of objects and people in his work, the encapsulation of a “secret wound” or “blessure secrète”. Similarly, in Blessure, the publication alludes to the sense of style and personality of each artist without text. The communication is solely through the artworks and the design.
 
The latest issue of Blessure focuses on the use of textures created by the computer, creating a new and contemporary language. There is no text, instead the images craft a unique narrative entirely subjective to each viewer. The tone of the artworks changes depending on the print layout and the other works they are interacting with. The 180-page publication features work from Brenna Murphy, core.pan, Deylan Seu, Everest, Jamie and Rickie McNeill, Marine Léauté, Marvin de Deus Ganhitas, Nicolas Sassoon, Sabrina Ratté, Ulysse C. Müller, Ville Kallio, Yannick ValGesto and Boris Détraz.
 
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Jyni Ong — 17 September 2018
Work / Graphic Design Play on Play on the nostalgic references that inform its forward-thinking practice

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Work / Animation Glasgow’s VAJ.Power is transforming club nights into multi-sensory experiences

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Jyni Ong — 17 September 2018
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Ruby Boddington — 14 September 2018
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Billie Muraben — 14 September 2018

Regulars / Friday Mixtape Friday Mixtape: The Honey Hahs' mix of songs to get ready to, or if you're just feeling dancey

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Lucy Bourton — 14 September 2018
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It's Nice That — 14 September 2018
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Jyni Ong — 14 September 2018
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Bryony Stone — 13 September 2018
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It's Nice That — 13 September 2018

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