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An illustration of a person with purple skin wearing a red beanie and white shirt, sitting at a desk. They are working on a computer in a minimalist office setting against a pale orange background.

César Pelizer animates your daydreams at work in Looking for Something

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Date
2 May 2018

“The idea came a long time ago when I was about 18 years old and living in Argentina,” explains illustrator and animator César Pelizer of his latest personal venture, Looking For Something. “I was working in a boring part-time desk job and I would do anything to look busy even though I had my eyes half closed for a good part of the day.”

Coming in just short of four minutes, the animation tells the surreal journey of a man searching for the meaning of life and answers within his own consciousness. Opening with a man (whose long purple neck is a feature we’ve come to recognise in César’s work) sat at his desk on a Tuesday morning, the somewhat bored and disillusioned character proceeds to have “a wake-up call”. From here, his world turns upside-down, travelling through a series of weird and unexpected scenarios, all narrated with dry humour and wit, as he searches for the meaning of the word “meaning”.

Aesthetically, Looking for Something switches between scenes full of detail and ones which place the protagonist in vast amounts of undisturbed space; a grid often forming the basis of such scenes. “The narrative is very abstract – it doesn’t make sense,” César explains of the video’s jump cuts. “I was trying to remain loyal to the definition of daydreaming, where the character experiences short-term detachment from his surroundings and the contact with reality is blurred and partially substituted by a visionary fantasy.”

The short film was produced by weareseventeen the studio where César previously worked as an animation director. “I had started this project at home in my free time and once I had finished the script I pitched the idea to George and Steve (founders of weareseventeen),” he recalls. “They were very supportive and decided to produce the film, allowing me to work on it between commercial jobs.”

A 3D render of a small figure with red hair standing inside a grey enclosure. To the right, a smartphone floats in the air, displaying the word “Unknown” on its screen.
Above

César Pelizer: Looking for Something

An illustration of a small figure juggling red, white and green balls in front of a giant smartphone. The phone screen is dark blue and displays the word “Unknown” above a telephone icon.
Above

César Pelizer: Looking for Something

An illustration of a purple figure wearing a red cap and white top, standing on a train platform. They are positioned between two blue benches against a blue tiled wall featuring a London Underground roundel and a map.
Above

César Pelizer: Looking for Something

An illustration of a purple figure wearing a red hat, peering out from a large purple box. Around them are scattered craft supplies, including a boot, a vase on a small table and balls of yarn.
Above

César Pelizer: Looking for Something

An illustration of a person in a red cap and white shirt standing against a yellow tiled wall. A large magnifying glass in the foreground distorts their image, creating a mirrored effect.
Above

César Pelizer: Looking for Something

An illustration of a person falling backwards through a solid blue void. Below them, a small yellow boat floats, casting a long dark shadow.
Above

César Pelizer: Looking for Something

A 3D render of a beige grid. A small yellow sphere sits in one square, while a cluster of white geometric shards is scattered across the left side.
Above

César Pelizer: Looking for Something

A 3D render of a vast, repetitive grid of grey cubicles under bright light. Two figures stand in the centre, one wearing a blue suit and the other a white outfit with a red cap.
Above

César Pelizer: Looking for Something

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About the Author

Ruby Boddington

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Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

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