Launch Recite Me assistive technology
A collection of white notebooks and booklets scattered across a bright red background. Each cover features bold, black capital letters and thin, scribbled lines.

No matter what the output, graphic design studio Choque Le Goff finds the fun in every project

—
Date
5 September 2019

When Donald Choque and Yoann Le Goff met while studying at Ensad Paris six years ago, they began working in a creative partnership the very same day. “We bonded over mutual interests like music, fun, architecture and arts, especially dance,” they tell It’s Nice That. They continued collaborating during their studies, including on their graduation project and so, when it came time to enter the working world, starting a studio together seemed like an obvious choice. And so Atelier Choque Le Goff was born; that was four years ago now.

It was through Instagram that we first discovered Donald and Yoann’s work, their colourful and bold work resulting in an intriguing feed. A bit of digging unearthed a multifaceted practice where typography, editorial design and illustration are given equal importance. Bright greens, purples and pinks are rife and there’s a playful energy to each of the studio’s projects. This, the duo explains, is the result of their approach to working: “Our creative practice is mainly focused on sharing knowledge, experimenting, sharing and having fun.”

Having worked together for so long now, they describe themselves as a “monster with two heads and four hands in a permanent exchange of our tools, ideas and jokes.” It’s this latter point which is the most important to Donald and Yoann, a duo who don’t take themselves (or their work) too seriously, but who see every project as an opportunity to have fun. “Each project is a new playground and opportunity to create a space where type, colours, drawings and shapes can joyfully coexist,” they explain.

An illustration of two purple ovals stacked vertically on a bright green background. Thin black lines swirl across the shapes like a spiral.
Above
Left

Choque Le Goff

Right

Choque Le Goff

An abstract illustration on a bright yellow background. Two pink ovals sit above three purple ovals, with loose, black scribbled lines layered over the top.
Above

Choque Le Goff

With such a definitive and resolute outlook on how they like to make work, what they make is far less important. “We like any type of project as long as it is challenging and has the potential of freedom,” they tell us. This could result in a website, a poster, a typeface, or publication. They continue: “A commission is a set of constraints that draws the rules of the game, it’s always different but the idea is to have as much fun as possible, it’s a game!”

If there’s a signature to the studio’s work, therefore, it’s this process, rather than any visual language.

Recently, the pair worked on a type design project with a somewhat unusual brief: a car collector wanted to create a book about a particular car made in the 1960s and so commissioned Donal and Yoann to do so. “The subject became a great source of inspiration for us, so we decided to draw a typeface out of it,” they explain. “The idea was to synthesise the essence of the vehicle, its design, historical context and purpose into letterforms.” With the help of a fellow designer, they “pushed beyond the silhouettes of the letters to programme a special kind of behaviour for the font family. Opentype features modify selected letter combinations or add design elements/letter sets to mimic the dynamic dimension of the subject, to make it move (as fast as possible).”

It’s projects like these – which are brimming with personality and which channel the concept of a project into a well-rounded design – that fill Choque Le Goff’s portfolio. No matter what the result, you can rely on Donald and Yoann to find the fun.

A pile of white rectangular labels with bold green typography. Each label reads “FAIRE LA BEES” and “MIEL DE FLEURS”, with smaller red text providing production details.
Above

Choque Le Goff

A white poster featuring bold, abstract black shapes that form the word “VOLUME”. A small numeral “1” sits in the top right corner. At the bottom, smaller text reads “UNE EXPOSITION DU COLLECTIF COLLECTION”, followed by the names Sébastien Souchon, Adrien van Melle and Raphaël Faon.
Above

Choque Le Goff

A black and white poster for the “Montvalent Festival” featuring a high-contrast image of a large, textured rock. A person’s head and hands are partially visible, emerging from behind the stone. Text on the poster reads “Du 14 au 16 août” and lists categories including “Musique”, “Cinéma”, “Théâtre” and “Art Contemporain”. The event is located at “Montvalent Lot (46)” and is listed as “Gratuit”.
Above

Choque Le Goff

An illustration of abstract, hand-drawn typography in dark blue lines on a cream background. The distorted letters are arranged in a grid and spell “Education”.
Above

Choque Le Goff

A graphic poster divided into a light blue top half and a bright yellow bottom half. A soft, white diagonal gradient sweeps across the centre, creating a sense of light and depth. Text at the bottom reads “SUR LA PAGE, ABANDONNÉS vol.3 28.02, 19h LANCEMENT LIBRAIRIE DU PALAIS DE TOKYO & LECTURES PERFORMÉES”.
Above

Choque Le Goff

Six abstract illustrations arranged in a grid. Each uses a palette of orange, green, blue and pink, with the initials “rj” in the top right corner.
Above

Choque Le Goff

Two book covers side by side against a black background. The left cover is yellow with the title “SUR LA PAGE,” and the right cover is blue with the title “ABANDONNES”.
Above

Choque Le Goff

A black book cover with bold, white, condensed typography reads “A PROJEC”. The book is set against a bright yellow background.
Above

Choque Le Goff

A silver vintage sports car is parked on a grassy lawn in front of a hedge. Beside the photo, a white page features black geometric shapes and text that reads “F 250GT BERLINETTA, CHÂSSIS COURT 3269GT CARROSSERIE BERTONE 1962”.
Above

Choque Le Goff

Share Article

About the Author

Ruby Boddington

—

Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.