In 2009, we featured Chris Pell in our Graduate feature, and since then, he has continued to produce very impressive work. Literally drawing on a strong interest in early human civilisation and fantasy worlds, the Brighton graduate creates visually compelling compositions and landscapes filled with all sorts of strange beings and goings-on. There is a sense of the mythological in his work, with beasts, hybrids, and monstrous-looking individuals cropping up time and again – along with allusions to tribal ritual.
Executing his images with a keen use of the line, his work communicates a sense of precision and detail that reminds us of the power of hand-drawn methods – and this, combined with clear-cut influence from traditional Japanese prints and more recent animation, makes for a powerful concoction. Check out his biro drawings – ballpoint pen has never looked so mystical!
- Michael Marcelle’s photography is “like a broken funhouse mirror in a gay haunted house”
- Books From The Future's experimentally collaborative and investigative publishing
- Issue four of Beauty Papers screws the formula of beauty, giving it a “brave new face”
- Molly Matalon shoots a fashion editorial in the desert, and things get brotherly
- Laura Callaghan on illustrating a lifestyle where women make all decisions
- Starting Out and Making It - what we learned at A/D/O
- Peter Funch has photographed the same people on the same street for nine years
- North reveals full Science Museum rebrand, and reacts to online criticism
- GraphicDesign& outline three projects that successfully support and impact mental wellbeing
- Dove apologises and removes advert showing a black woman becoming a white woman
- Apple announces launch of gender neutral emojis
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity