Illustrator Christoph Niemann and creative director of The New Yorker Nicholas Blechman have published Conversations, a six-month project which saw the two creatives exchange drawings and photographs via their smart phones. The only rules for the project were that Nicholas used black ink and Christoph used blue, and the conversation had to be non-verbal.
The project initially started in the late 90s, “as an outlet to mainstream illustration” and was called 100%. “I worked as an art director at The New York Times and also needed a break from editorial design,” explains Nicholas. “Each book was a collaborative limited edition drawing project on a theme (maps, architecture, love). After September 11, we drew on the theme of evil and published with Princeton Architectural Press. That was in 2005 – we have not done a book since.”
Last year, the pair picked back up on the project as part of the Met Museum’s new group show, which opened last month titled Talking Pictures: Camera-Phone Conversations Between Artists. “The premise of the show is to use the cameras in our phone to have a visual conversation. Christoph and I both saw this as an opportunity to publish another edition,” say Nicholas.
This new edition sees Christoph and Nicholas photograph and draw their surroundings, including sights such as a “lonely cargo container of empty tarmac of Tegal airport, a skiing trip in the Alps”, as well as some “political anxiety, inspired by our shock of Trump”. The choice of using two ink colours was to give each creative an identifiable voice with Nicholas using a fine-nibbed pen for his neat, considered linework and Christoph a brush for his looser mark makings.
As well as appearing in the exhibition, the project is also a self-published book containing 142 pages of conversation, which was a natural progression of the project. “After a while we wanted to review the conversation. We found it hard to judge what we were doing by clicking through a folder of images,” says Christoph. “For both of us the most natural step was to put it into a layout. Once we realised how the question/answer setting of two opposing pages helped the series, we knew this had to be a book.”
A big challenge of the project was categorising images and being able to tell the difference between a good image and one that worked well for the project. “After a while we realised that if an image worked all by itself, it didn’t work for the conversation. We found that the strongest images made no sense by themselves, but only became meaningful when juxtaposed or facing, another person’s image,” explains Christoph and Nicholas.
“As a designer/illustrator/artist you are trained to make every image as strong and convincing as possible,” says the pair. “It was interesting how some strange images turned into compelling spreads or series. On the other hand we edited out many nice drawings that worked by themselves but felt foreign when place in the narrative.”
The work flows as an easy dialogue between the two, full of wit, observation and insight into the everyday. But Christoph and Nicholas have been careful to avoid an overarching message, rather they see the images as simply speaking to each other, like friends on the phone.
Talking Pictures: Camera-Phone Conversations Between Artists is on show at the Met Museum now until 17 December 2017. And you can get a copy of the book here.
- “All I could see was puppets”: Johnny Kelly on his series of sweet shorts for Cheerios
- Melek Zertal's illustrations all feature different versions of herself
- Wyatt Knowles on his DIY approach to poster design
- Jaemin Lee takes on the influence of 80s pop in his illustrative process and aesthetic
- A Pint in London: a new game where the quest is for the perfect tipple
- “There is no value in change for change’s sake”: an exclusive look at Spin's update of Mubi’s visual language
- Get ready for 230 new emojis to confuse your mum with
- Netflix rolls out brand new ident for all its original material
- David Rothenberg discusses his unique portraits of the passengers of planes
- Photographer Nick Turpin captures cars bathed in the lights of Piccadilly Circus
- Byun Young Geun likens illustration to “looking into a mirror”
- Naranjo-Etxeberria designs an identity aiming to cause impact at first glance