Valentin Bigel and Alice Gavin are Clap Clap Club, a European design studio that move their operations between London and Paris with the occasional soujourn in Berlin. Their practice focusses heavily on the manipulation and distortion of typographic forms and playing fast and loose with complex grid systems – the products of which are extremely visually engaging.
Recent work for Variable Geometry, a show organised by Super Window Project in Reims, France has seen them produce a selection of 55 unique posters, in collaboration with architecture office La Ville Rayée, that take identical pieces of layout and reshape them to reveal morphing geometric forms that emerge from the negative space between texts. The legibility is often compromised but the identity is instantly recognisable no matter which iteration of the poster you encounter.
- “I’ve landed on my planet now”: Sebaldo on refining his bonkers animated characters
- Syncope by Virgile Flores explores the duality between graphic design and music
- Louise Daneels makes playful, ceramic illustrations of everyday objects
- Maroesjka Lavigne’s debut monograph captures unforgettable landscapes and their inhabitants
- Painter Igor Moritz's vivid paintings express the colours of inner life
- Meet Take Care, a magazine tackling the UK’s housing crisis
- Turning her lens to those around her, Danna Singer reveals the story of a working class community
- Kyle Berger’s Photoshopped images exist in “a post-truth timeline”
- The climate crisis is daunting, but as a creative professional, there’s much you can do
- Elizabeth Hibbard’s unsettling photographs examine subjective experience with a visceral gaze
- “My creativity is sparked by music and architecture”: meet graphic designer Stephanie Specht
- Adventure Time’s finale nominated for Emmy, alongside BoJack and Big Mouth