There’s something very peaceful about looking at the earth from a different angle. You can forget about the mundane things in life, like cornflakes and taxes, and appreciate what we’ve made of this world – both the good and the bad. Dan Holdsworth’s new project Transmissions: New Remote Earth Views has made me appreciate it even more. The Grand Canyon, Yosemite, Mount Shasta, Mount St. Helens, Salt Lake City and Park City appear snow-covered and deserted but really they’re digitally-rendered laser scans of the earth adapted from United States Geological Survey data (used mainly to track climate and land changes).
The scientific approach highlights man’s influence on nature and how we’ve shaped and filled it – not just geographically but also ideologically and politically, demonstrated by Holdsworth’s focus on areas that boast conflicting legacies and histories. Contrasted with these vast spaces, we find meaning in the absence of everything as well as the existing knowledge we have of them.
Like his Blackout series we featured in 2010, the Transmission prints, currently showing at Brancolini Gimaldi, are big and impressive (as they need to be if only to allude to the scale of these terrains in real life). And there’s a precision in the layout of the exhibition that emphasises a collision of art and science which really works. The empirical nature of how the pieces were achieved against the barren landscapes is so ambiguously captivating it’s the type of project you can spend hours looking at.
- Josephin Ritschel presents architecture and its surroundings as a stage for storytelling
- Gender, sexuality and male identity as seen through the lens of Jorge Perez Ortiz
- Gab Bois transforms things we’ve seen a thousand times into something spectacular
- Aysha Tengiz on her joyous, colourful and slightly depressing illustrated scenes
- Satellite photography, drawing tools and interactive logotypes feature in Double Click September
- Lego reveals first brand campaign in 30 years, Rebuild the World
- “All you see is lazy photography everywhere”: Martin Parr discusses his career, Brexit and obsession
- The work of Xiangyu Liu is weird and fantastically unpredictable (some NSFW)
- Caterina Bianchini Studio designs a dog-themed identity for a conveyer belt cheese restaurant
- Ikea invites people to “try on” Virgil Abloh furniture collection at LFW
- Hans Findling on his experimental and multidisciplinary approach to design
- Introducing the It’s Nice That Graduates of 2019!