Artist Daniel Ginns is fresh out of a degree in illustration at Camberwell, but as it turns out he’s a dab hand with a camera too. His series Rothko Walls records the walls in and around London which used to boast graffiti, and now display only the “free-floating geometric shapes” which remain after it has been badly concealed by a halfhearted paint-job. The new layer of paint is often “only a slightly different shade of colour from that of the original wall,” he explains, “creating imagery that could be considered reminiscent of the abstract expressionist painter Mark Rothko.”
We saw a similar idea captured a couple of years back by artist Chris Seddon’s book Correctionism, which just goes to show how far-reaching and aesthetically reminiscent of revered painters the phenomenon really is. There’s something heart-warmingly defiant in the idea that, by trying to remove one form of self expression, painters country-wide are actually creating another, which other artists are then capturing themselves; it just goes to show that you don’t need to erect billboards bearing masterpieces around a city to see art everywhere.
- David Lane talks us through his art direction for Robyn's newly released record
- Friday Mixtape: Vanessa Carlton and Godflesh combine thanks to The Beautiful Meme
- Jenny Jiao Hsia's game designs are as delightfully weird as they are weirdly delightful
- Luke Boland communicates industrialisation through his expansive photographs
- Okuyama Taiki became interested in design while running a free bookshop in Tokyo
- Congo Tales offers an alternative to fear-based environmental messaging
- This is an article about Wieden+Kennedy’s clever ad campaign - No B.S
- Combining thoughtful design and big business: an interview with Made Thought
- Iceland’s Christmas advert banned from broadcast for being too political
- The Saul Bass Archive looks back on the trailblazer’s rare poster design
- Typeface Pickle-Standard both obeys and rejects the grid at the same time
- Cornelius de Bill Baboul's latest project is "like Baudelaire in the age of McDonalds"