Hold on to your Union Jack caps, Daniel Stier has managed to capture the blank feeling of a service station, mixed with a touch of a Swindon roundabout, with a pinch of a British suburban summer in his magnificent, Martin Parr-esque photography. Utilising the garish signs of a ubiquitous DFS sale contrasted with the faux brick pastel of a British suburban house, Daniel’s portoflio is a reminder of everything you loathe and love about the British Isles.
The clever part is that Daniel has obviously tried to put his finger on how we live, but has resisted any kind of scathing element, which is a great relief. As well as putting British suburbia on a pedestal with these beautiful images, he’s also a dab hand at some rather magnificent still-lifes. This range of photography skill has attracted the world’s biggest magazines, a list of which you can see here.
- Books From the Future talk us through its workshop on disaster in contemporary culture
- Molly Bounds paints intimate moments of quiet contemplation
- Friday Mixtape: Grand Union Orchestra's founder curates us a mix on the theme of migration
- Flat-e tells us how it made a visual interpretation of Daniel Avery's record in its entirety
- Girma Berta authentically captures the people of Addis Ababa with an iPhone
- Lukasz Rusznica journeys into the spirit world with his publication Subterranean River
- Introducing The Graduates class of 2018!
- America's getting a space force and wants Trump supporters to choose its logo
- Swiss design practice Dinamo develops new visual identity for Tumblr
- Meet Adelia Lim, a graphic designer not afraid to poke a little fun at the industry
- Adobe has added 665 new Monotype fonts to Creative Cloud
- "What is my opinion?": Graphic designer James Aspey's research-focused, typographic practice