Picture the scene – It’s early afternoon in an LA film producer’s office, all glass tabletops and modern art prints. A struggling screenwriter, dressed shabbily, is casting about for any ideas to engage the bored executive with. “So, err, everyone says print is dead but what about a film set in the near-future where magazines get their revenge on the human race, taking over the world Day of the Triffids style. Revenge for all the recycling and iPad love?” The executive stubs out his cigar slowly. “Name your price.”
That is an imagined scene I’ve just described (I know) but tell me you wouldn’t watch the movie? I like to think the reason David Mach’s extraordinary magazine installations are doing the rounds again has some tenuous link to the ongoing debate about the future of print, but I fear it may just be because they;re so flipping wonderful. Created between the late 1980s and the early 2000s, his work is a triumph of ambition, vision and skilful realisation.
If these are new to you then enjoy, but even if they’re familiar it’s worth reminding yourself of their sheer brilliance.
- Alys Tomlinson's pilgrimage photos probe the places where private meets public
- Meet illustrator Hollie Fuller's characters, with their piggy eyes and protruding ears
- Ellen Evans' latest film zooms into the tiny world of miniaturism
- Kent Andreasen on how he embraces the transience of light in his photographs
- Illustrator Baptiste Virot describes his work as an “iron punch in a velvet glove”
- Slovenian design studio Ljudje on how it turned the information crisis into a visual identity
- Want a dream job? Studio Ghibli is hiring
- Creativity and control: Stanley Kubrick's obsessiveness and the meticulous films it produced
- We take a look back at the best stories of the year to date
- “Even bad pizza is kind of good”: Five life lessons from David Droga
- Pornhub decides to try out beesexuality with new awareness campaign
- Studio Nuno Fontes on its clean and ordered work for the cultural sector