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Three light-wood tables of varying heights are arranged in a staggered row against a plain white background. Each piece features a slim rectangular top supported by tapered legs.

Design Museum announces the 2012 Designers in Residence

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Date
11 May 2012

While we can get overawed by the wealth of established talent in the creative industries, it’s important to support those who are either just starting out or still climbing that competitive tree of success. Like flowers they need watering, feeding but above all nurturing to continue becoming the best flowers (creative professionals) they can. This is why the Design Museum’s annual Designers in Residence programme is such an excellent opportunity in recognising new and emerging talent.

This year’s crop were announced yesterday as Freyja Sewell, Harry Trimble and Oscar Medley-Whitfield, Lawrence Lek and Yuri Suzuki, who were all chosen for their responses to the brief ‘Thrift’, based around exploring economy and resourcefulness in an object, environment or experience. From September the results will be on display in the Design Museum, and already we’re excited by what they’re planning…

A sculptural grey felt object with a large, vertical opening. The interior is lined with red fabric and contains a circular cushion.
Above

Freyja Sewell: HUSH

A person sits relaxed in a large, curved felt chair with a high back. They wear a black short-sleeved outfit with a red collar and lean their head on one hand.
Above

Freyja Sewell

Freyja Sewell

Freyja Sewell approaches her work in a realistic manner, questioning what approaches are most appropriate to make the objects around us sustainable for the future. With a degree in 3D Design from Brighton University, already Freyja’s project HUSH has explored these ideas by creating an enclosed, pod-like seat made from 100% wool felt, that intends to help users withdraw from the frenetic pressures of daily life. During her residency she will further investigate the potential of the wool fibres produced as a by-product of the British carpet industry to create even more furniture designs.

www.freyjasewell.co.uk

A sculpture made from polished copper piping against a plain grey background. The pipes form a rectangular base with three parallel bars, rising into two tall vertical columns that meet at the top.
Above

Harry Trimble: Plumber’s Masher

A person in a red sweater assembles a structure from copper piping over a technical drawing. They hold a long, curved pipe in place among several smaller connected joints on a dark countertop.
Above

Harry Trimble: Plumber’s Masher

Three light-wood tables of varying heights are arranged in a stepped formation against a white brick wall. Each table has a slim rectangular top supported by angled legs.
Above

Oscar Medley-Whitfield: Lean On Me

Two people stand side by side against a weathered blue wooden wall with peeling paint. They both look towards the camera with slight smiles.
Above

Oscar Medley-Whitfield and Harry Trimble

Oscar Medley-Whitfield and Harry Trimble

Having graduated from Kingston University and Brighton University respectively, Harry Trimble and Oscar Medley-Whitfield both produce simple, useable designs, always with carefully-considered process. This is evident both in Oscar’s Lean on Me collection of benches that rely physically on each other in order to perform their function and Harry’s Plumber’s Masher, in which he collaborated with a plumber to explore how common trades can be repurposed to make industrial designs on smaller scale.

In the process of forming a design studio together, Oscar and Harry’s works look set to fuse beautifully during their residency in which they will take inspiration from Southwark’s historic ceramics’ industry by tapping into the unused source of Thames river clay.

www.oscarmw.com
www.harrytrimble.co.uk

A large, geometric sculpture made of light-coloured wood and stretched white fabric. A bright light glows from the centre of the structure, casting shadows across the interior.
Above

Lawrence Lek: Pod

A complex wooden sculpture made of light-coloured slats and stretched white fabric. The structure is angular and geometric, resting on a concrete floor in a dimly lit studio.
Above

Lawrence Lek: Pod

A person looks directly at the camera, framed by shimmering red tinsel curtains. They wear a dark, textured jacket over a red shirt against a black background.
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Lawrence Lek

Lawrence Lek

Lawrence Lek is triple threat working as a sculptor, industrial designer and an architect all in one. Studying at Cambridge and the Architectural Association, the pure skill and precision in Lawrence’s work is evident when looking through his work. Take his project Pod, an experiment in human-machine assembly, where the structure is fabricated using computer-controlled tools and its skin and bone elements assembled manually to produce this fleshy enclosure. His continued investigations into the processes of natural growth and industrial fabrication through sculpture and environment will form the basis of his residency.

www.lawrencelek.com

A small silver radio sits beside a series of connected electronic components on a plain white surface. A black cylinder and a white frame are linked by coiled black and white cables to a foil-wrapped conical object.
Above

Yuri Suzuki: Hand made Geiger Counter

A person wearing black glasses holds a large illustration in front of half their face. The drawing features a collection of black and white line-drawn portraits, including a larger version of the person.
Above

Yuri Suzuki

Yuri Suzuki

We’ve featured Yuri many times on the site, and it seems like he is constantly thinking of new ideas and projects to work on. As a sound artist, designer and electronic musician his work is based around communicating ideas about sound through well-designed but simple pieces. During his residency he intends to further explore electronics, sounds and design through conducting a series of workshops showing the concept of ‘how things work’ as nowadays we know less about what goes on in machines than ever.

Much of Yuri’s work has an honesty and curiosity about it – often he’ll be inspired by an everyday occurrence and try to think of a solution to resolve or investigate it. Take his _Hand made Geiger Counter which was made in response to the earthquake in Japan last year and the threat of meltdown at Fukushima nuclear plant – founded on the feeling that people no longer trust the media and want their own readings.

www.yurisuzuki.com

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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