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A person in a white T-shirt stands with their back to the camera and arms outstretched. They face a large, minimalist white clock with teal hands.

Product Design: ECAL students create bizarre smart home objects in Milan

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Date
22 April 2014

It’s laudable that designers are working on worthy projects that will have a practical impact on building a better future, but we’re big believers that creatives should be engaged in making tomorrow a bit more fun too. Luckily for us, there are institutions like the Ecole cantonale d’art de Lausanne (ECAL).

At this year’s Milan Salone, ECAL’s Industrial Design and Media & Interaction Design students unveiled a series of weird and wonderful objects that presented “a playful interpretation take on the concept of the smart home.” These included a clock that mimics the gestures of those looking at it, cacti that respond musically to being caressed, a pair of chairs one of which reacts to the movements of the sitter in the other, a tea spoon that won’t be separated from its mug and a fan that is powered by the amplified breath of the homeowner.

It’s fair to say that some of these creations are completely impractical, but they all raise questions about our future interaction with household objects and they do so in the quirkiest way possible.

A person’s hand reaches towards three iridescent, metallic objects that appear to float and tilt against a plain grey background. The objects are conical and cylindrical in shape, with a shimmering green and gold finish.
Above

Iris Andreadis, Nicolas Nahornyj, Jérôme Rütsche: Ostinati (Image ECAL/Axel Crettenand & Sylvain Aebischer)

A hand in a dark suit jacket reaches for a small white espresso cup with a bright blue interior. A silver spoon rests on the plain white surface beside the cup.
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Romain Cazier, Anna Heck, Leon Laskowski: Bonnie & Clyde (Image ECAL/Axel Crettenand & Sylvain Aebischer)

A person in a light blue T-shirt and jeans stands with their back to the camera, looking up. A hand reaches out from behind a curtain of purple strings to touch their shoulder.
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Anne-Sophie Bazard, Tristan Caré, Léonard Golay: Il Portinaio (Image ECAL/Axel Crettenand & Sylvain Aebischer)

Two spherical pendant lights hang against a plain white background. One is a glowing glass orb, while the other is a flat gold disc positioned above a silhouette of a hand.
Above

/Léa Pereyre, Claire Pondard, Tom Zambaz: Chiaroscuro (Image by ECAL/Axel Crettenand)

A person leans forward to blow into a thin white tube connected to a fan. The fan has teal blades and stands on a simple white base against a plain grey background.
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Victor Férier, Ludovica Gianoni, Danièle Walker: Windblower (Image by ECAL/Axel Crettenand & Sylvain Aebischer)

Two people sit in oversized, beige fabric armchairs with red stitching. One person leans forward with their arms out, while the other sits back and looks towards them.
Above

Megan Elisabeth Dinius, Timothée Fuchs, Antoine Furstein, Bastien Girschig: Voodoo (Image by ECAL/Axel Crettenand & Sylvain Aebischer)

A row of various cacti in terracotta pots against a plain white background. Several hands reach out from behind the plants to touch or hold the cacti.
Above

Pierre Charreau, Martin Hertig, Pauline Lemberger: Cactunes (Image ECAL/Axel Crettenand & Sylvain Aebischer)

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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