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A painting of a traffic jam beneath a massive green concrete overpass. Debris and cardboard boxes rain down on a line of vintage cars, while a person stands in the road looking on.

Art: Eric White makes your favourite films seem sinister in his hyper-real paintings

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Date
15 October 2013

Bruised sunsets, sleek vintage cars, twisted album covers and distorted movie stills are all subjects that preoccupy Eric White, a New York-based painter whose work is laden with surrealist flourishes. Looking at Eric’s work feels like sitting in some grubby Brooklyn cinema, watching a late-night special that gets weirder and weirder as you give in to sleep, or browsing in a record store run by some lunatic that paints his own covers. That’s not to say that Eric’s a lunatic – although he does paint his own versions of classic record sleeves – but he’s channeling something darker and more urgent than the pop-culture images he references, imbuing them with sinister connotations that unsettle and unnerve.

If you fancy treating yourself to some unsettling imagery you can see a collection of Eric’s work in his new show All Of This Has Not Occured at the Martha Otero Gallery in Los Angeles from Saturday November 9.

A painting of a person in a pink dress and white collar, seen in a tight close-up. In the background, another person in similar clothing stands beside a yellow Plymouth car on a city street.
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Eric White: 1963 Plymouth Belvedere (Rosemary’s Baby)

A painting of several people sitting in a red convertible car, facing each other in a mirrored sequence. They are positioned in a row, their profiles repeating as they look across at one another against a backdrop of green trees.
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Eric White: 1961 Ford Galaxie 500 Sunliner (Pierrot Le Fou)

A painting of two people sitting in a yellow car, looking out with expressions of alarm. They are parked in a vast, arid desert under a swirling blue and white sky.
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Eric White: 1973 Ford Pinto with Tanguy Sky (3 Women)

A painting of a person wearing a white astronaut suit and helmet, sitting in the driver’s seat of a Mercedes. The car’s polished bonnet reflects a row of palm trees under a bright sky.
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Eric White: 1974 Mercedes-Benz 450 SL (Annie Hall)

A painting of a person with red hair driving a car, looking ahead with a focused expression. Beside them, the partial face of another person is visible in the passenger seat.
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Eric White: 1964 Porsche 356 C Cabriolet T6 (Bullitt)

A painting of two people inside a car. One person looks towards the other with a concerned expression, while the driver looks ahead with a slight smile.
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Eric White: 1960 Sunbeam Alpine Sport Series 1 (Butterfield 8)

A painting of two people inside a car. A person in the passenger seat points forward with a wide-eyed, anxious expression.
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Eric White: 1976 Lotus Esprit Type 79 (The Spy Who Loved Me)

A painting from the perspective of a driver looking out over a congested highway under a concrete overpass. Wrecked cars fill the road, and a person stands beside a vehicle while debris floats in the air.
Above

Eric White: 1971 Pontiac LeMans Hardtop Sedan (The French Connection)

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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