To be totally honest, I didn’t expect to enjoy this film when I started watching it. There’s a long and inglorious tradition of “celebrities” being shoehorned into seemingly random contexts to the point it all starts to resemble an Alan Partridge programme pitch (“Youth Hostelling With Chris Eubank”). But as it turned out I was engrossed for the full four minutes of The Horrors frontman Faris Badwan showing us around Tate Modern’s Paul Klee exhibition. Firstly because Faris studied illustration at Central Saint Martins in the early 2000s and speaks with passion and intelligence about Klee’s work. And secondly the film links to his own artistic endeavours, so we aren’t just told that Klee influenced his pictures but are actually shown how.
This is a real gem of the TateShots series and if Klee floats your boat as it does Faris’, then the video with curator Matthew Gale is also well worth a watch.
Paul Klee – Making Visible runs until 9 March at Tate Modern.
- Mikey Please takes us behind the scenes, and the backlash, of the Bake Off trailer
- From New York to Springfield, it's Best of the Web
- Taschen releases two volumes of National Geographic’s best photographs from the past 125 years
- Simon Landrein takes Dan Croll down the rabbit hole in his animated video for Tokyo
- Thomas Duffield on photographing his dad’s hidden heroin addiction
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Hate the iPhone X notch? There’s an app for that
- Lisa Simpson’s bookshelf: from the curator of Instagram’s Simpsons Library
- Biplab Hazra’s photo of elephants being attacked by mob wins Sanctuary prize
- Michael Bierut: 13 ways of looking at a typeface
- Uncle Ginger uses hypnotic shapes to animate the facts and feelings of bipolar disorder
- Michel Gondry’s John Lewis Christmas advert – Moz the Monster – is unveiled