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A person wearing a grey hoodie with the hood up looks off-camera. They hold a glowing green object in their hand, which casts a cool light across their face.
A person wearing a grey hoodie with the hood up looks off-camera. They hold a glowing green object in their hand, which casts a cool light across their face.

Summer Wagner’s surreal yet strikingly familiar photographs feel like hyperreal paintings

Drawing from daydreams, literature, and practical effects, the photographer’s work invites us into a collective fantasy – one that might just be more real than it seems.

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Date
4 December 2024

Art feeling otherworldly is one thing, but to create art that feels similarly otherworldly and familiar – both nostalgic and (at times) unnerving – is a whole other feat. For LA-based fine art photographer and film director Summer Wagner, the latter is her playground. “I like to capture real people and real places subtly making them feel surreal,” Summer tells us, “like a landscape in a daydream.” Summer manages to capture an indefinable, effervescent tone that feels, for all its absurdity, relatable – as if from our own encounters. “I do this because that is how I experience my own self throughout the day,” she says. “Our minds and bodies create fantasies for us constantly, begging the question whether or not those are fantasies.”

This feeling of reality across Summer’s work comes through both the sense of narrative that interlaces her work – akin to her cinematic inspirations Kristoffer Borgli and Yorgos Lanthimos – as well as the practical nature of her setup. “I use mostly practical effects,” Summer explains, “long exposure techniques and colour grading in Adobe Lightroom,” utilising the technical craft she honed whilst studying film production in college where she made several short films.

Despite her love of storytelling, Summer didn’t find her voice until taking a whole two years away from creating altogether. Then, after borrowing a friend’s camera during the pandemic, her passion was rekindled. “Having a solitary practice in creating these scenes, often through self-portraiture really sparked my love for bringing my imagined life in front of the camera,” she says.

Alongside contemporary filmmakers, Summer’s inspirations head in a very literary and artistic direction, naming Virginia Woolf novels and Ursula K LeGuin essays as key influences, in addition to Meg Webster and Michael Heizer sculpture and paintings by Aaron Wisenfield and Salman Toor – all of which can be seen threaded across her engrossing narrative tableaus.

A group of people stand scattered across a grassy woodland clearing, positioned between tall, thick tree trunks. They are spaced apart and mostly still, looking towards one another in a quiet, staged arrangement.
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Summer Wagner: Coming of Age (Copyright © Summer Wagner, 2024)

A person in a dark suit and orange tie stands in a field of tall green grass. Behind them is a large, weathered industrial building with two tall brick chimneys.
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Summer Wagner: Blue Bird (Copyright © Summer Wagner, 2024)

A person in a red and white striped T-shirt stands holding a cardboard box. They face another person who sits in a chair, looking at a laptop screen on a small folding table.
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Summer Wagner: Douglas Live (Copyright © Summer Wagner, 2024)

A person sits on a circular rug in a cluttered room, looking at a smartphone. Around them, a collection of small plastic animal figures are illuminated by a bright, cool light.
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Summer Wagner: Bridget in Her Old Room (Copyright © Summer Wagner, 2024)

A person sits at a desk in a dimly lit office, illuminated by the blue glow of a computer screen. Piles of paper and folders clutter the desk and floor around them.
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Summer Wagner: Ernest in His Office (Copyright © Summer Wagner, 2024)

A person with blonde hair peers through a dense field of tall, purple lupin flowers. The image has a muted, cool-toned colour palette.
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Summer Wagner: Full Moon in Scorpio (Copyright © Summer Wagner, 2024)

A person stands in a grassy yard at dusk, holding a lit sparkler. They are surrounded by a circle of toy construction vehicles, including a cement mixer and a blue Napa Auto Parts truck.
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Summer Wagner: Mother of Industry (Copyright © Summer Wagner, 2024)

A person lies on a striped orange and white fabric, surrounded by various seashells and a piece of driftwood. They hold a small shell to their chin, their face shimmering with a glossy, iridescent makeup.
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Summer Wagner: Sally's Shells (Copyright © Summer Wagner, 2024)

Gnarled trees with twisting branches create a dense canopy over a misty woodland. Soft light filters through the leaves, illuminating patches of green foliage on the forest floor.
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Summer Wagner: Mantel (Copyright © Summer Wagner, 2024)

A person in a white dress stands at the mouth of a dark stone tunnel, holding a glowing green object. On the ground before them, a circular arrangement of candles and ritual objects glows in the dim light.
Above

Summer Wagner: Theatre of Salt and Stone (Copyright © Summer Wagner, 2024)

A small, blue wooden house is lit from within at night. A person sits on the porch steps, while another stands in the yard and two more are visible in the doorway.
Above

Summer Wagner: Thursday Night Dinner (Copyright © Summer Wagner, 2024)

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(Copyright © Summer Wagner, 2024)

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About the Author

Harry Bennett

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Hailing from the West Midlands, and having originally joined It’s Nice That as an editorial assistant in March 2020, Harry is a freelance writer and designer – running his own independent practice, as well as being one-half of the Studio Ground Floor.

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