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“Places need to offer something that pixels can’t replicate”: Acrylicize on designing spaces for real connection

Elizabeth Goodspeed on the branding challenge behind Mayor Zohran’s new municipal grocery stores

What can punctuation and glyphs say that words can’t? Overview opts for expression over legibility in documentary identity

The trinket takeover: unpicking the microtrends of consumer culture in Seoul

The iPhone as a sex toy: Mindy Seu invites us to uncover our erotic relationship with the internet

Being a local artist in a global city: Ben Sanders on self-publishing, experimentation and giant bottle caps

Lily Li uses watercolour paint “like snow” to translate the illusions and struggles of immigration

From Moomin to Heartstopper: How comics have told real queer stories since the 1940s

Catalyse your creative leadership with UCL’s new master’s degree

The revolution will not be optimised: on frictionmaxxing and the creative virtues of inconvenience

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“What aesthetic is this?” Elizabeth Goodspeed on the push to categorise visual culture

Air’s manifesto makes one thing clear: AI will never replace human creativity

London’s Ours! Celebrating the posters, billboards and publicity stunts that put two fingers up to Thatcherism

Miggie Bacungan’s graphic design challenges the artificial flavouring of pop culture imagery

Old matchboxes are igniting new ideas for these Indian creatives

“What if everyone started making out?” Andrea Marti’s horny photo series tackles Gen Z’s lack of intimacy head on

If Francesca Melis’ illustrations are “slightly imperfect”, she’s done her job well

Nippets is the hand-drawn, hidden-object game from Blink Industries designed to make you slow down and relax

POV: Ballet and opera institutions need to get radical to stay relevant

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The high contrast photographs of Bea Dero are romantic glimpses of youth