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An illustration of the word “Kilona” created from thin, undulating yellow lines. The text is set against a gradient background that shifts from deep purple at the top to bright pink at the bottom.

Hansje van Halem’s systematic work combines legibility and irregularity

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Date
18 November 2015

We first wrote about Hansje van Halem around this time last year, and she has continued drawing intricate, perspective-bending typography, patterns and illustration. Much of her work is hand drawn, Hansje reasoning that she “finds repetitive work soothing” and enjoys “the tension between a systematic approach, legibility and (ir)regularity.” Her drawings manage to be bright, incredibly detailed and optically confusing whilst having just the right amount of knowing restraint to be readable.

As well as keeping, and publishing sketchbooks in which she draws type, motifs and experiments – which all started off as a hobby, something she would do between book design deadlines – Hanse takes commissions from Wired and People of Print , as well as an ongoing poster series for Amsterdam gallery Galerie Block C and seasonal endpapers for publishing house Uitgeverij De Buitenkant.

A white stippled mandala on a black background. The intricate circular pattern is composed of thousands of tiny dots forming symmetrical, lace-like layers.
Above

Hansje van Halem: Sketchbook

A blue and white typographic poster featuring the name “Jan Scheerhoorn” rendered in a complex, 3D linear style. The letters are formed by concentric white lines that create a warped, architectural effect against a radiating grid background. Text at the top and bottom provides exhibition details for “Kunstruimte Galerie Block C” in Groningen.
Above
Left

Hansje van Halem: Galerie Block C

Right

Hansje van Halem: Galerie Block C

A typographic poster in teal and dark blue features the name “Ingeborg Entrop” in large, 3D block lettering. The letters are composed of fine, intersecting lines that create a sense of depth and movement. Smaller text at the top and bottom provides exhibition details for “Galerie Block C” in Groningen.
Above

Hansje van Halem: Galerie Block C

A black and white illustration of several overlapping, flower-like shapes made from thousands of tiny white dots. The intricate, stippled patterns create a sense of depth and texture against a solid black background.
Above

Hansje van Halem: Sketchbook

A typographic poster for an exhibition by “Jan van der Til”. The name is rendered in large, distorted 3D lettering with red and blue chromatic aberration effects. Text at the top and bottom provides details for “Kunstruimte Galerie Block C” in Groningen, including the dates “17 mei – 20 juni 2015”.
Above
Left

Hansje van Halem: Galerie Block C

Right

Hansje van Halem: Galerie Block C

A typographic poster in yellow and magenta features the name “Ilona Plaum” rendered in distorted, 3D-effect line art. The text at the top reads “Kunstruimte Galerie Block C” and “14 November – 19 December 2015”. Additional details at the bottom list the gallery address in Groningen and the exhibition title “The Space in My Hand”.
Above

Hansje van Halem: Galerie Block C

An abstract illustration of undulating, wavy lines in pink, orange, white and black. The lines distort in the centre to create four blurred, organic shapes.
Above

Hansje van Halem: Wired

Four overlapping sheets of paper feature intricate, symmetrical line patterns. Each sheet uses a different colour palette, including peach, light blue, navy and red.
Above

Hansje van Halem: Uitgeverij De Buitenkant

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About the Author

Billie Muraben

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Billie studied illustration at Camberwell College of Art before completing an MA in Visual Communication at the Royal College of Art. She joined It’s Nice That as a Freelance Editorial Assistant back in January 2015 and continues to work with us on a freelance basis.

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