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A black and white photograph of a person leaning against a brick wall. A strip of film negatives is laid across the top right corner of the image.

New book showcases unique collection of Nick Drake photographs by Keith Morris

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Date
6 September 2012

It’s very hard to write about Nick Drake without finding yourself mired in cliche. The tormented genius, the reclusive enigma, the poet of the dispossessed and the lonely whose death in 1974 aged just 26 robbed music of a genius whose talents were never fully appreciated in his lifetime.

Apparently there is no-known footage of him, which only adds to the mystery, but a new book brings together for the first time a dedicated archive of photographs of this much-missed figure.

Keith Morris took the album shots for Five Leaves Left (1969), Bryter Layter (1970) and Pink Moon (1971) and so his archive captures how Drake chose to present himself to the world, on the rare occasions that he did.

Keith died in 2005 but Ormond Yard Publishing has worked closely with his estate to realise this vision, and together they’ve produced something very special. With 200 photographs, many of which have never been seen, it was decided that the format of I Saw Nick Drake should reflect the unique nature of the content, and at a massive 24 × 36 inches it’s well over the dimensions of the standard coffee table tome.

A black and white collage shows two figures against a brick wall. One person in a suit is captured in mid-stride, while another leans against the wall, watching them pass.
Above

Keith Morris: I Saw Nick Drake

Four black and white photographs show a person in a dark suit sitting on the grass against a large tree. A book and a guitar case lie on the ground beside them.
Above

Keith Morris: I Saw Nick Drake

The care and attention is obvious throughout from the gorgeous slipcase to the three bookmark ribbons made in the colours with which each album is most identified.

But it’s the photos themselves that are the real stars and it’s hard not to pore over them holding up the images to the impressions you have of Drake, of musical brilliance against cultural recognition, and of the insidious effects of mental illness.

Because Nick Drake is still lionised by so many, the pressure was on for everyone involved with this book to get it right, and it looks like they’ve produced a fitting tribute to one of the most fascinating musical figures of the 20th Century

An accompanying show at the Snap Gallery in London will run from September 15 until October 13.

A black and white photo spread featuring Mick Jagger. A large profile portrait on the right is paired with a grid of smaller shots on the left showing him walking through an industrial landscape.
Above

Keith Morris: I Saw Nick Drake

An open black and white photo book. The left page shows a person leaning against a brick wall, while the right page displays a grid of film contact sheets.
Above

Keith Morris: I Saw Nick Drake

Two black and white photographs side by side. A person sits at the end of a long, rustic wooden table against a dark background. In the first image, they look towards the camera; in the second, they turn their head away.
Above

Keith Morris: I Saw Nick Drake

A close-up of a black hardcover book featuring a contact sheet of black and white photographs on the cover. Three colourful ribbons in green, pink and purple act as bookmarks, trailing from the bottom edge.
Above

Keith Morris: I Saw Nick Drake

A black and white contact sheet of Mick Jagger. One large portrait is flanked by four smaller frames showing him from different angles among leafy foliage.
Above

Keith Morris: I Saw Nick Drake

Two black and white photographs side by side. In the first, a person leans against a brick wall by a lake. In the second, they walk away from the camera with a dog.
Above

Keith Morris: I Saw Nick Drake

A person sits on a brown leather Chesterfield sofa, holding a large open book that hides their upper body. The book's pages show a continuous image of a brick wall with two figures leaning against it.
Above

Keith Morris: I Saw Nick Drake

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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