While It’s Nice That No.7 is at the printers, and excitement here slowly builds around its return, we thought we’d offer further insight into the reasons why and how we’ve evolved the magazine’s design, as well as a run through of this issue’s wonderful content. It’s available to order now, don’t forget, and will launch officially on Monday…
It’s Nice That No.7 has undergone a sparkling – and in some places quite dramatic – redesign. The changes come courtesy of our new design steward Ray O’Meara, an RCA graduate, former Kilimanjaro designer and current The White Review art director, who’s experience and talent have combined to create an object at once beautiful and accessible. Evolution in the magazine’s design is echoed by an evolution in editorial structure too, which we hope will make it easier for viewers to view and readers to read. It’s a simple concept, but one we firmly believe in.
Although we’ve continued with our all-embracing approach, this issue has inadvertently – but rather appropriately – become about the bright future of publishing. i-D founder Terry Jones and Nieves editor-in-chief Benjamin Sommerhalder both celebrate the co-existence of printed and digital content. And the fantastic documentary photographer Martin Parr talks excitedly about the recent surge in sales of photobooks, before going on to champion the internet despite its tendency towards offering imagery for free.
We’ve also taken a peak behind the scenes of four of London’s most impressive independent publishing houses – Book Works, Four Corners, Nobrow and Landfill – and, in an ongoing bookshelves feature, three of England’s most talented young writers – Stuart Evers, Rosa Rankin-Gee and Richard Milward – reveal their wide-ranging literary inspirations.
There’s more too. To mark the opening of her latest show at Berlin’s Neue Nationalgalerie, we spoke to artist and explorer Taryn Simon, who talked candidly about living life in the real world. The brilliantly creative Amsterdam-based duo Lernert & Sander talk about the importance of mixing humour with naughtiness. Our online editor Rob Alderson importantly questions the power of art as a regeneration tool. And, after a conversation about winter, filmmaker Carl Burgess presents a series of hyper-real renders bright enough to make your eyes pop!
And then there’s everything else: a free comic by the wonderful illustrator Sophy Hollington, work by some of the most talented artists, designers and architects currently practicing, a wonderful short story by Seth Fried, and the perfect ending by illustrator Keith Shore and writer Erin Wylie.
- Territory Studio on making organic, lo-fi graphics for Blade Runner 2049
- Evan Cohen’s illustrated characters work together to travel through the panels of his comic
- Tadas Karpavicius's risky opera catalogue creates "fluidity and an organic feeling"
- Wang & Söderström create digital art you want to reach out and touch in new exhibition
- Joe Mrava and Austin Ledzian tell the story of the modern-day female farmer
- Photographer Lukas Korschan got on the wrong boat, but made a great series out of it
- Pee on this Ikea print ad, and if you’re pregnant, you get a crib half price
- The rebrand for Russia’s tourist board uses Suprematist geometry laid out as a map
- The Guardian unveils redesign across print and online
- Coca-Cola reveals custom typeface, TCCC Unity, inspired by its modernist heritage
- A first look at Uber and NASA's new flying vehicle
- Uniqlo and Marimekko collaborate on bold and expressive new collection