Main — Joint London: Designer Santa 9detail)

Santa takes on various high-fashion looks in fun Joint London cards

Words by Rob Alderson, Wednesday 17 December 2014

Santa’s an old rogue isn’t he? What with his rosy cheeks and his big fat belly and his enslavement of innocent reindeers for commercial reasons. Still, he’s an enduring icon of Christmas whether we like it or not and as such he’s fair game when it comes to creative interpretations of the festive season. So the good people over at Joint London took old Saint Nick (the Coca-Cola version) and decided to doll him up in all manner of high fashion looks, from Alexander Wang and KENZO to Marni and Raf Simons. It’s a fun project, executed well and the site itself is lovely to scroll through. I also like that Rick Owens Santa looks like a good-time Brian Blessed…

Marnixsanta_card — Joint London: Designer Santa

Acnexsanta_card — Joint London: Designer Santa

Hbaxsanta_card — Joint London: Designer Santa

Kenzoxsanta_card — Joint London: Designer Santa

Margielaxsanta_card — Joint London: Designer Santa

Raf_simonsxsanta_card — Joint London: Designer Santa

Rick_owensxsanta_card — Joint London: Designer Santa

Wangxsanta_card — Joint London: Designer Santa

Most Recent

More like this:

Features / Response and Responsibility Feeding the 10 billion: How can design play a part?

By the year 2050, Earth’s population will have risen to around 10 billion. Feeding all those mouths is a problem that will need the help of designers.

Josh Baines — 03 July 2019
Work / Miscellaneous The art show shining a light on Armenian identity and collective memory

Last time we caught up with Live Wild Collective, the seven visionary artists – who make up the all-female collective – spoke about the urgency of fighting for “education, for human intelligence, for genuine feelings”. Live Wild Collective has now transferred this fight for social justice to the Centre for Armenian Heritage in Valence, France, where two members of the art collective, Lucie Khahoutian and founder Camille Lévêque, have conceptualised, executed and curated an exhibition exploring Armenian identity, cultural heritage and collective memory.

Daphne Milner — 28 June 2019
Work / Miscellaneous Fetishistic mask-making with Magnhild Kennedy

Magnhild Kennedy’s masks are perhaps more accurately described as wearable sculptures than they are items of clothing. The Norwegian artist’s ornate creations, with their intricate beadwork and exquisite rhinestones, fuse the boundaries between fashion and design. “When I first moved to London in 2007 I’d go clubbing a lot and would make outfits for various nights out. I guess the format just stuck,” Magnhild, otherwise known as Damselfrau, tells us. “But I’m not particularly interested in masks as a genre or creative discipline. I’m coming at it from a fine art perspective, similar to the creative processes involved when constructing art installations or designing furniture.”

Daphne Milner — 27 June 2019
Features / Response and Responsibility Welcome to Response and Responsibility, a look at creativity and climate change

Today we’re launching a new month-long series of advice articles, opinion pieces and features all about the ongoing climate crisis and what the creative industries can do about it. Here’s a quick look at what you can expect over the coming five weeks.

Josh Baines — 26 June 2019
Sponsored / Found in Adobe Stock The poet laureate of Twitter Brian Bilston creates four new poems from Adobe Stock images

For Found in Adobe Stock, It’s Nice That has commissioned creatives to explore the world of Adobe Stock’s collection to make a new series of works. The project asks each creative to dive into the depths of Adobe Stock as a starting point, and then devise new short stories or create new worlds from chosen images. We follow each creative’s journey on their stock narrative endeavours and unpack how they used their individual findings to make innovative final pieces.

Jyni Ong — 25 June 2019
Sponsored / Miscellaneous University of the Arts London dispels the myths around studying a postgraduate course

Whether or not to study a postgraduate degree in the arts is a question pretty much every undergraduate will ask themselves. But it is a pertinent question particularly within the arts, as the option to spend a few more years developing as a creative is tempting.

It's Nice That — 23 May 2019

Work / Photography Photographer Anne-Sophie Guillet’s stunning portraits challenge gender binaries

Since 2013, the Brussels-based photographer has been making portraits of young people whose identities refuse to be categorised according to conceptions of gender as a fixed binary principle.

Rebecca Irvin — 19 July 2019
Work / Graphic Design For Jan Horcik, type design and graphic design cannot work without one another

The Prague-based designer, who is also the co-founder of Heavyweight type foundry, discusses his ongoing side projects which provides a constant source of experimentation and fun for the type designer.

Jyni Ong — 19 July 2019
Features / Illustration “Like a little factory making picture books”: The wondrous work of Marie Neurath

An exhibition that opens today at the House of Illustration explores the work of the pioneering Isotype graphic designer and science educator, who brought nature to life for children of all ages.

Jenny Brewer — 19 July 2019
Work / Photography What’s the purpose of prison? This series captures a horse rehabilitation programme in Arizona

“I’d like to challenge viewers to think about what the purpose of prison should be,” says photographer Matt Hussey. “Should prison exist to punish, or rehabilitate, or a combination of the two?”

Jyni Ong — 19 July 2019
Work / Art Tina Schwizgebel-Wang’s etchings are filled with detailed scenes of everyday life

Although still widely used today, some might view this method of printmaking as a dying form of artistry. But this Geneva-based artist’s works show why it’s still very much alive and kicking.

Ayla Angelos — 19 July 2019
Work / Art “I want to show that the world is actually very simple”: meet artist Hisami Tanaka

By using playful graphics and digital techniques, this Tokyo-based artist pokes fun at the notions of society, self-representation and our daily lives.

Ayla Angelos — 19 July 2019

Work / Graphic Design Victor Fonseca treats his graphic design practice like a “playground”

The Paris-based graphic designer was first gripped by the iconography and visual devices surrounding football, and then by the creative typographic possibilities of graffiti writing.

Rebecca Irvin — 18 July 2019
Work / Photography Photographer Jack Latham investigates the hidden conspiracies of Bohemian Grove

Burrowed within the redwood forests of Monte Rio in northern California, this yearly two-week summer retreat is frequented by the political and business elite of the world. But what goes on is shrouded with secrecy.

Ayla Angelos — 18 July 2019
Work / Illustration Stella Park’s warm illustrations reflect her outlook on life

The Seoul-based illustrator’s untrained approach to illustration gives her work a fresh perspective. And when she notes down her feelings and experiences through drawing, she can always remember them vividly, even after a long time.

Jyni Ong — 18 July 2019
Work / Publication Ugly beauty and challenging established norms feature in Jade Palace's collaboration with Yat Pit

Jade Palace Collective, founded by Kelly Cho, is a London-based online shop featuring a collection of mostly vintage shoes, handbags and homeware. “The idea of Jade Palace is to give value back to items that have been discarded, mostly for being seen as not having a place anymore in most people’s context of fast-moving trends,” Kelly tells It’s Nice That. Whereas, until recently, all items were vintage, Kelly has now introduced Yat Pit to the shop, marking the introduction of the first contemporary brand with a publication featuring the work of Joyce Ng, Harry Chan, Zhuo Chen and Mika Kailes, designed by Zyxt.

Ruby Boddington — 18 July 2019
Work / Graphic Design Astrid Seme elevates an artist’s work by challenging it through the lens of design

“The question is not ‘how can I use the artistic imagery that already exists?’ but how does the artist respond to the specific rules and framework that I develop within the design process”: the Vienna-based designer discusses her exhibition design for Marlene Hausegger’s solo show.

Jyni Ong — 18 July 2019
Work / Photography Elizabeth Hibbard’s unsettling photographs examine subjective experience with a visceral gaze

Drawing on film, painting, second-wave feminist art, literary and theoretical texts, as well as her experiences with psychotherapy, the Silicon Valley-born photographer crafts shots that focus on the interplay of textures, surfaces, people and objects.

Rebecca Irvin — 18 July 2019

Work / Art Catch a glimpse into the cartoon world of artist Aaron Elvis Jupin

With a portfolio filled with otherworldly paintings, this California-based artist has a knack for turning the mundane into the extraordinary.

Ayla Angelos — 18 July 2019
Work / Digital Artist Paulo Arraiano envisions a symbiosis of nature and technology

For the Lisbon-based multimedia artist, the future of digital technologies is not one that will arise in opposition to, or as a destruction of, the natural environment, but as an augmentation of our perceptions.

Rebecca Irvin — 17 July 2019
Work / Graphic Design Arabic and Latin typography don’t have to mimic each other to be harmonious says Montasser Drissi

The Moroccan designer’s work focuses on the relationship between Arabic and Latin typography.

Jyni Ong — 17 July 2019
Work / Response and Responsibility Shame Plane confronts our continued involvement in climate-destroying activities

Produced by Swedish design studio Grafik+Program, this website lays out exactly how much damage to the environment your roundtrip journey will do. And it doesn’t make for pretty reading.

Ruby Boddington — 17 July 2019
Work / Photography Peyton Fulford intimately photographs small-town America’s LGBTQ+ communities

With her ongoing personal project, Infinite Tenderness, the Albany-born photographer aims to bring “a new visual understanding to the lives of queer people living in rural areas, specifically those who identify as trans and non-binary.”

Rebecca Irvin — 17 July 2019
Work / Art Parted hair and succulent leaves: artist Molly Greene draws from the peculiar

Having become interested in the “idea of making this deeply familiar material seem alien or strange,” the Los Angeles-based artist’s recent work sees an abundance of brown hair carefully placed and combed onto the paper.

Ayla Angelos — 17 July 2019

Work / Illustration Genie Espinosa’s illustrations are not quite as innocent as you might think

Upon first glance of this illustrator’s portfolio, you’re instantly greeted with vibrant colours, outlandish figures and some powerful slogans.

Ayla Angelos — 17 July 2019
Features / Response and Responsibility The climate crisis is daunting, but as a creative professional, there’s much you can do

Naresh Ramchandani, Pentagram partner and founder of environmental charity Do The Green Thing, talks us through the few simple steps you can take as a creative to improve the lot of our planet.

Naresh Ramchandani — 17 July 2019
Work / Graphic Design “My creativity is sparked by music and architecture”: meet graphic designer Stephanie Specht

Specht Studio, founded by the Belgium designer, features an array of playful designs inspired by her architectural past.

Ayla Angelos — 16 July 2019
Work / Photography Bodily discomfort supplies the “subtle strangeness” of Melissa Schriek’s photographs

In “experimenting with the body and space”, the Netherlands-based photographer conceives of her role as that of a “photographic choreographer” creating staged compositions.

Rebecca Irvin — 16 July 2019
Work / Illustration Tara Booth explores the reality of her escapist fantasies in a lyrical new book

The Philadelphia-based illustrator developed the story for Cabin in the Woods over the past few years, creating a beautifully illustrated outcome which resonates with many in its concept, seeking to find an antidote for discontent.

Jyni Ong — 16 July 2019
Work / Art Artist Brian Rideout paints private art collections that will never be publicly available again

Motivated by the pictures that he finds and their historical relevance, this Canadian artist’s portfolio is filled with astounding replicas of luxury interiors, architecture, still lifes and, most poignantly, art.

Ayla Angelos — 16 July 2019

Work / Photography Photographer Eva Verbeeck looks at the place of young women in modern American society

With her ongoing series, America’s Girls, the Belgium-born photographer forges a community of young women with an emphasis on positive recognition, acceptance and encouragement.

Rebecca Irvin — 16 July 2019
Regulars / Double Click Simple, experimental and sophisticated websites all feature in Double Click July

This month’s Double Click is a testament to the diversity and variety that exists within the medium of web design.

Ruby Boddington — 16 July 2019
Work / Photography Turning her lens to those around her, Danna Singer reveals the story of a working class community

Capturing “poverty, addiction, teen pregnancy, abuse and lack of healthcare”, the portfolio of American photographer Danna Singer is one that’s filled with pain and honesty.

Ayla Angelos — 15 July 2019
Work / Animation “I don’t like doing the same thing twice”: Olivier Lescot on his new film’s aesthetic

Olivier has created yet another intricate world filled with character in an animated music video for Christian Rich’s Shibuya (Ghost II). Inspired by 80s manga comics, the Blinkink director discusses this new style of animation and what’s next for him.

Jyni Ong — 15 July 2019
Work / Photography Kyle Berger’s Photoshopped images exist in “a post-truth timeline”

The Canadian photographer’s new series, titled If There Was Money On The Ground Someone Would Have Already Found It, exposes the absurdity of our collective relationship with modern commercial capitalism.

Rebecca Irvin — 15 July 2019
Work / Illustration Illustrator Anshika Khullar creates snapshots of the lives of underrepresented people

With their myriad references and maximalist style, these illustrations are overtly political and true-to-life representations of marginalised people and their experiences.

Ruby Boddington — 15 July 2019