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A person in a yellow shirt and bright red trousers stands beside a brown cow. They are positioned on a dusty road under a clear blue sky.
A person in a yellow shirt and bright red trousers stands beside a brown cow. They are positioned on a dusty road under a clear blue sky.

Gender, sexuality and male identity as seen through the lens of Jorge Perez Ortiz

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Date
17 September 2019

For London and Barcelona-based photographer Jorge Perez Ortiz, his subjects are what matter the most. After graduating in fine arts and working across different fields such as painting and sculpture, Jorge realised his passion for visual storytelling. “Photography gave me the opportunity and possibility to create stories through fashion,” he tells It’s Nice That. “I started taking pictures of my friends or people that I was attracted to; subjects that will make history by themselves.”

Since then, he’s worked across the board at numerous fashion publications such as Tank, Novembre, L’Officiel Hommes, Boycott, Fucking Young and Metal. And for those who haven’t witnessed the exquisite beauty that takes command of Jorge’s work, then rest assured that it will captivate you in an instant. This is in part due to his ability to tell a story – stimulated by the characters that he meets across the globe. “I’ve always been attracted to cultures and everything that surrounds me,” he says, “especially the male subject.”

Taking cues from that which surrounds him, Jorge has his lens pointed firmly at topics such as gender, sexuality, fashion and identity. His camera has taken him across seas to locations such as Marseille and Hyères and, more recently, India – as seen in his latest series, titled India, commissioned for analogue fashion photography magazine Pylot. “These images reflect the empowering energy that always attracted me to this country; the chaotic lifestyle of the cities contrast with the truly kind and calm personalities of the locals,” says Jorge. Upon arrival, he explains how India instantly lured him in with its multifariousness. “It was surprising to see how, in one environment, so many different things interacted simultaneously – a melting pot of animals, cars, sounds, smells, and colours – giving the perfect definition of the concrete jungle.”

A shirtless person stands barefoot in front of a pink double door. They wear olive green trousers and a thin necklace, looking directly at the camera.
Above

Jorge Perez Ortiz: India

Four people sit side by side against a plain grey wall. They look towards the camera, with one person holding a mobile phone.
Above

Jorge Perez Ortiz: India

This concrete jungle is one that led him down many paths, allowing him access to “a variety of different people, from models to locals.” Mixing high-fashion and styling from brands with his subject’s own clothes, this adds a raw and contemporary feel to his imagery – “[this was to] reflect the diversity and complexity of the place in which we were working,” he adds. “I wanted to capture through my lens the male identity of a country, and a culture that’s completely different to mine.”

In terms of his style, Jorge would describe it as something alongside lines of “fashion” but “with a different view”. Achieved through delicate tones and a minimal backdrop, he strives to capture his subjects in great detail. “Photographing with the use of natural light is always the most important thing to me, because it gives me the opportunity to focus on the subject while creating an emptiness in the background.”

So what was it that first spurred this photographer towards capturing masculinity in all its diverse glory? “I have always been surrounded by the physical, social and emotional aspects of adolescence, as well as the formation of identity,” he explains. “I like to show different identities of masculinity that define gender in many ways.” In this sense, masculinity takes many forms – it’s something that’s both intimate and expressive, compassionate and strong. Jorge is drawn towards this intersection and uses his photography as a tool for self-expression: “It helps me to tell stories and put out the ideas and thoughts that I have,” he says, “and to create my own work around all the things that make me feel alive.”

A person in a long white tunic and trousers stands on a dusty road, looking towards the camera. Behind them, another person in a light blue shirt and green trousers stands nearby. To the right, a red sign reads “airtel 3G” next to a parked white car.
Above

Jorge Perez Ortiz: India

A person stands by a body of water, looking towards the camera. They wear a white long-sleeved T-shirt featuring a printed portrait of a person and the name “RAHUL” below it.
Above

Jorge Perez Ortiz: India

A person in a white, open-fronted linen suit stands between two others in dark suits. They look off to the side with a neutral expression in this black and white photograph.
Above

Jorge Perez Ortiz: Marseille

A person looks directly at the camera with a neutral expression. They wear a black, high-neck athletic top with white piping along the seams.
Above

Jorge Perez Ortiz: Marseille

A person stands against a plain wall with their arms folded, looking directly at the camera. They are shirtless and wear camouflage trousers pulled down to reveal the waistband of olive green underwear.
Above

Jorge Perez Ortiz: Marseille

A shirtless person stands against a chain-link fence with their arms raised. They wear dark trousers and a thin chain necklace, looking directly at the camera.
Above

Jorge Perez Ortiz: Marseille

A person stands against a textured grey wall, wearing a sheer white shirt and white briefs. The shirt is open at the chest with puffed sleeves, and they wear a small white cap.
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Jorge Perez Ortiz: Nuevo dia

Two people stand side by side against a textured grey backdrop, posing with their hands on their hips. They are shirtless and wear white briefs, with the pair on the left wearing a waistband that reads “BROS”.
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Jorge Perez Ortiz: Nuevo dia

A person stands barefoot against a textured grey backdrop, wearing a white, tight-fitting bodysuit. They pose with their hands on their hips, looking directly at the camera.
Above

Jorge Perez Ortiz: Nuevo dia

A person sits on a wooden chair against a plain white wall, looking off to the side. They are unclothed and posed in a classical style.
Above

Jorge Perez Ortiz: Nuevo dia

A person looks directly at the camera, wearing cream-coloured suspenders and a red, gold-embroidered corset. They hold the straps of the suspenders with both hands against a plain white background.
Above

Jorge Perez Ortiz: Nuevo dia

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About the Author

Ayla Angelos

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Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

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