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An illustration of a bright pink figure riding a bicycle. The figure has an elongated body and is set against a textured background of yellow and green.

Get to know Jyan Ku's lovely hybrid of "friendly art, not difficult art"

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Date
22 May 2018

When South Korean-born and Brooklyn-based Jyan Ku sent over the illustrations to be featured in this article, the titles of the works had us in stitches. The file names such as, “Why Crying”, “A Little Bit of Juice For You” and “Hey Sweetie”, each describes the cutesy narrative displayed in Jyan’s work, but also comment on contemporary culture succinctly, particularly our interactions with one another.

“I am focusing on relationships and emotion,” Jyan tells It’s Nice That of the subjects she’s been depicting recently. “I try to put different objects and figures on my canvas, coming out of my subconscious to deliver the story.” As each of the illustrations are created quite naturally, the form of Jyan’s work is sporadic. Her pieces give the impression of being drawn quickly, with swishes and swirls of colour marks added repeatedly on top of one another, building up into a “surrealistic and distorted mass,” she says.

This is a style Jyan’s developed over the past year, extending her subject matter and colour palette. “I was pretty satisfied and I’ll keep experimenting with these and new mediums.” Proactive in creating work, Jyan’s portfolio has grown in momentum recently, joining several groups shows and have several chances for the public to engage with her works. “It was an amazing experience,” she says. “I hope to have more chances to get closer to people with my works, approaching it as friendly art, not difficult art.” Weirdly wonderful, the detail in Jyan’s pieces develops not in drawing techniques, but her ability to depict a relatable scenario in just the smirk of a character.

Looking towards the future Jyan plans to “keep concentrating on projecting human’s minds on my canvas like a mirror without a doubt,” so thankfully we’ll be able to continue to chuckle along with her works.

An illustration of two figures with long red braids wearing matching blue dresses. They stand in a green field with their arms raised, facing three dark purple trees.
Above

Jyan Ku: Red Gloves

A painting of three figures in colourful clothing hugging two giant yellow hands. The figures are arranged in a line against a light blue background with splatters of pink.
Above

Jyan Ku: Behind the Trees

An illustration of two figures against a black background. A person in a red top looks up at a taller figure with pink hair and a blue dress.
Above

Jyan Ku: Hey Sweetie

An illustration of a blue-skinned figure wearing a tall yellow hat and a black top. They gesture towards a yellow figure whose head is replaced by a blue vessel, into which a stream of red liquid pours from the hat.
Above

Jyan Ku: Little Bit of Juice For You

A painting of a person wearing a black hat and a green shirt against a bright yellow background. A pink dog is draped over their shoulder, and a blue, stylized tree stands in the foreground.
Above

Jyan Ku: Three Trees One Animal

A colourful illustration of a green-faced figure wearing a blue hat and a purple shirt. A yellow animal stands in front of them, while a red and black bird perches to the left. Two large red mushrooms with green stems flank the figure against a pale pink background.
Above

Jyan Ku: Two Trees Two Animals and a Green Man

An illustration of two figures embracing in a green forest. One person wears a red beret and a green shirt, while the other wears a dark brown top and green trousers. They are framed by two trees with bright red leaves.
Above

Jyan Ku: Why Crying

A painting of a person in a yellow dress holding a blue rope that loops around a green figure. Two red horses stand against a yellow sky above a dark, hilly landscape with orange trees.
Above

Jyan Ku: Wild Life

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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