Kate Morrell is part artist, part archeologist with her concern for artefacts and appropriated histories. Her latest, a book entitled Alpine Spoilers, is a selective amalgamation of the final words of mountaineering memoirs held in The Armitt Library (who commissioned the work), deftly drawing “the aesthetic canons of romanticism and the real possible outcomes of pain and death” into a weighted finale.
Other sculptural works continue Kate’s impressive handling of research and reference material, in turn utilising a process or a knowledge base to form objects imbued with a conceptual history of Kate’s interpretation. This is evident in her work with knapped flint, fashioning of stone axes (exhibited at the end of her time at the Royal College of Art) and accomplished books that compile the studies into neat designs of engagingly typographic-like images.
- Jordy van den Nieuwendijk is back with his most colourful show to date
- Library Paper, by Catalogue Library, returns with its eighth issue: trips
- Olgaç Bozalp and Benjamin Kirchoff photographs Turkey's male belly dancers
- Alex Grigg’s animation Born in Void tackles isolation in a vivid, abstract, interstellar landscape
- Nice Time Guaranteed: Introducing the It's Nice That x Timex watch
- Andrew Onorato’s surreal short about a genie and his eggy housemates
- Pantone Colour of the Year 2018 has been announced
- Renowned graphic designer Ivan Chermayeff has died aged 85
- Pentagram partner Natasha Jen shares her most inspirational books
- Marina Lewandowska’s graduation project shows graphic design flair and function
- Why dyslexia makes you a great designer
- Working Not Working charts the top 50 companies creatives want to work for