Remember shooting your first roll of film as an enthusiastic and slightly precocious six year-old on a sticky disposable camera? I do – and the film was dominated by the backs of people’s heads. I was devastated that I hadn’t created a collection of immaculate and traditional family portraits, of course, but little did I realise back then that the backs can be just as beautiful.
Photographer Katie Miller’s photographic portfolio is dominated by shots of the backs of her subjects’ heads, but unlike my tender failed attempt, her unique combination of composition, colour and exceedingly shiny hair allows her to make them seem even more intriguing and appealing than the fronts of them. It might have something to do with her inimitable hunch for beautiful locations, too, not to mention the expanse of blue sky and the nudity which occasionally punctuates her series. Either way, this is a collection possessing a seductive quality that few photographers ever manage to wangle.
- Pedro Destefani explores the relationship between Stan Smith the man and the brand
- Xiaopeng Yuan reinterprets the Chinese fable, The Butterfly Lovers, in a series for Télévision magazine
- Creativity and control: Stanley Kubrick's obsessiveness and the meticulous films it produced
- Oscar Maia translates the essence of his native Porto into a new publication
- Louise Bonnet paints exaggerated bodies as symbols of melancholy and loneliness
- Mathieu Larone illustrates the "elusive liminal space between the cryptic and the understandable"
- Pornhub decides to try out beesexuality with new awareness campaign
- “The time just feels right”: Stuart Brumfitt and Mirko Borsche, editor and designer of The Face, on its relaunch
- Graphic designer Shao Nian's portfolio ranges from academic publishing to experimental magazines
- Daniel Gebhart de Koekkoek recreates the ingenious yet useless inventions of Chindōgu
- The Washington Post's climate change issue features 24 equally important covers
- Philip Gerald's lowbrow, crude paintings are a reflection of his views on the art world