It takes an impressive person to put a positive spin on life’s gloomy patches; after all “the undeniable impact mankind has had on the planet” has never been the rosiest of conversation topics. But what an impressive man Keith Negley is; illustrating the gloomiest of things in the most beautiful ways. It has to be said that this New York creative is one fine illustrator!
Specialising in editorial and with a client list stretching further than a can of silly string in the hands of a smarties-infused five year old, (try The New York Times, Wall Street Journal and Bloomberg for some name-dropping) it’s easy to see why he’s so regularly commissioned.
With his never-ending colour palette and exploration of life’s dark themes – including depression (New York Times Book Review: Michael Mogriff) and loss (New York Times Book Review: Graham Swift) – in a uniquely beautiful and curious way, Keith’s illustrations are some of the most sensitive we’ve laid eyes on.
- Max Guther is back with more hyper real illustrations visualising social trends
- The Igor has landed: Igor Bastidas on our animated cover for Printed Pages AW17
- Balmer Hählen takes a traditional Swiss design approach to its projects
- Friday Mixtape: a very rare mixtape from the one and only John Carpenter
- Josh McKenna talks through his work on Pride for Google and Instagram
- Curator Andrea Giunta on her new exhibition Radical Women
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum