Ever since the digital revolution supercharged the speed at which we live our lives, various movements have sprung up to celebrate the joys of going back to basics, pace-wise. Slow food, slow travel, slow design and their ilk have all helped rein in our rapidity and now Lenka Clayton has done the same thing for magic. Over several weeks in the windows of Paris’ L’Antenne (part of Le Plateau gallery) she carried out amazing illusions over the course of three days. Before people’s very eyes (eventually) flour and sugar became delicious cakes, pencils became stubs and shavings and an egg became a real life chicken.
It’s a delightfully silly idea executed flawlessly and the public setting added in a nice level of interaction with passers-by as captured in some of Martin Argyroglo’s photos. Abracadabra indeed.
- A real bobby-dazzler, it’s Best of the Web!
- Max Guther is back with more hyper real illustrations visualising social trends
- The Igor has landed: Igor Bastidas on our animated cover for Printed Pages AW17
- Balmer Hählen takes a traditional Swiss design approach to its projects
- Friday Mixtape: a very rare mixtape from the one and only John Carpenter
- Josh McKenna talks through his work on Pride for Google and Instagram
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum