Lilli Carré has all bases covered with her hugely applicable illustrative stylings. From editorial spots for top US magazines and papers (The Believer, The New Yorker, Best American Nonrequired Reading… you get my drift) to works on paper that begin to leave the page (literally) and a panoply of mini-narratives, from ten second loops of moving drawings to ingeniously crafted cartoons and animations, comics and graphic novels.
Armed with countless media, textures and a real printmakers understanding of colour, Lilli does not appear to be trapped by any one way of working. It is clear to me now – the variety coupled with her prolific and genuine storytelling ability and the fact that she has found the time to co-found the Eyeworks Festival of Experimental Animation – Lilli Carré (“based” in Chicago), is not of this world.
- "We’re likely to plummet into a new dark age": Illustrator Edward Carvalho-Monaghan on learning from the past
- Phile magazine on sexual subcultures, power struggles and the launch of their second issue (NSFW)
- Why Design Thinking is bullshit
- Friday Mixtape: a mammoth mix from school project turned great band, Lowly
- Even magazine challenges the “elitist, opaque and unapproachable” discussion around art
- Meet Love Man: an illustrated big-hearted alien-human looking for his other half
- Photo of a single atom wins science photography prize
- Google tackles image copyright infringement with latest design tweak
- University of Portsmouth receives backlash over costs of its rebrand
- Ikea partners with Hasselblad to offer more “inspiring” prints for its frames
- Animator John McLaughlin’s fuzzy world of big-eyed, triangular fuzzy dudes
- Creative director Patrick Li on T: The New York Times Style Magazine's conversational new redesign