Lilli Carré has all bases covered with her hugely applicable illustrative stylings. From editorial spots for top US magazines and papers (The Believer, The New Yorker, Best American Nonrequired Reading… you get my drift) to works on paper that begin to leave the page (literally) and a panoply of mini-narratives, from ten second loops of moving drawings to ingeniously crafted cartoons and animations, comics and graphic novels.
Armed with countless media, textures and a real printmakers understanding of colour, Lilli does not appear to be trapped by any one way of working. It is clear to me now – the variety coupled with her prolific and genuine storytelling ability and the fact that she has found the time to co-found the Eyeworks Festival of Experimental Animation – Lilli Carré (“based” in Chicago), is not of this world.
- Illustrator Cécile Dormeau on body diversity and defying convention
- Alexander Anufriev captures culture cliches in Russia Close-Up
- Steph Wilson shoots Marques Almeida alongside a goat, a greyhound, a ferret, a turkey and more
- "It's a bit daft and it kind of lies a bit": Pavilion Studio's satirical zine, Ideal Science
- Practical portfolio advice, from choosing a specialism to solving real problems
- Performance art's "master" Tehching Hsieh on the importance of isolation
- The rebrand for Russia’s tourist board uses Suprematist geometry laid out as a map
- The Guardian unveils redesign across print and online
- A first look at Uber and NASA's new flying vehicle
- Pee on this Ikea print ad, and if you’re pregnant, you get a crib half price
- Uniqlo and Marimekko collaborate on bold and expressive new collection
- Coca-Cola reveals custom typeface, TCCC Unity, inspired by its modernist heritage