Lilli Carré has all bases covered with her hugely applicable illustrative stylings. From editorial spots for top US magazines and papers (The Believer, The New Yorker, Best American Nonrequired Reading… you get my drift) to works on paper that begin to leave the page (literally) and a panoply of mini-narratives, from ten second loops of moving drawings to ingeniously crafted cartoons and animations, comics and graphic novels.
Armed with countless media, textures and a real printmakers understanding of colour, Lilli does not appear to be trapped by any one way of working. It is clear to me now – the variety coupled with her prolific and genuine storytelling ability and the fact that she has found the time to co-found the Eyeworks Festival of Experimental Animation – Lilli Carré (“based” in Chicago), is not of this world.
- Harley Weir and Jamie Reid explore the functions of the female body for Baron
- Haw-lin Services and Tim Schmitt on their sci-fi identity for Berlin Biennale
- Winning proposals for regeneration of Old Street Roundabout announced
- Designer Paw Poulsen turns celebrities such as Bill Gates and Elton John into typefaces
- Friday Mixtape: a genre-spanning mix from creative agency Mogollon
- Non-Verbal Club's typography-heavy, sleek identity for Teatro Nacional de São Carlos
- Netflix unveils Netflix Sans, a new custom typeface developed with Dalton Maag
- Lacoste swaps famous crocodile logo for ten endangered species
- A chat with the Orwellian mastermind in charge of the UK town known as Scarfolk
- Will Anderson’s Bafta-nominated animation Have Heart follows a gif stuck in an infinite loop
- Original sets and puppets from Wes Anderson’s Isle of Dogs to be exhibited in London
- Dive into Mikey Joyce's portfolio with its “healthy balance of calculated and convoluted silliness"