Lilli Carré has all bases covered with her hugely applicable illustrative stylings. From editorial spots for top US magazines and papers (The Believer, The New Yorker, Best American Nonrequired Reading… you get my drift) to works on paper that begin to leave the page (literally) and a panoply of mini-narratives, from ten second loops of moving drawings to ingeniously crafted cartoons and animations, comics and graphic novels.
Armed with countless media, textures and a real printmakers understanding of colour, Lilli does not appear to be trapped by any one way of working. It is clear to me now – the variety coupled with her prolific and genuine storytelling ability and the fact that she has found the time to co-found the Eyeworks Festival of Experimental Animation – Lilli Carré (“based” in Chicago), is not of this world.
- Will Anderson on his Bafta-nominated animation, Have Heart
- Bonjour Garçon combines photography and graphic design to make "strong and delicate" work
- Friday Mixtape: Thomas Pratt curates a mix for a night out in the Bahamas
- The spontaneous, saturated and energetic portfolio of photographer Anton Gottlob
- Alexander Mourant's photographs trace a road-trip he took down the length of Africa
- Video artist Natalia Stuyk on crossing from the digital to the physical world
- Google Creative Lab's animated series tells the story of iPhone users who tried the Pixel 2
- Photographer Michael Northrup’s striking new book is a visual timeline of a former relationship
- The Scouts rebrand aims to reflect a “more relevant image of Scouting”
- "Something bold, something pure" – the 50-year long legacy of 2001: A Space Odyssey
- Yishu Wang's wonderfully disorientating photography
- Airbnb launches new bespoke font Cereal, designed with Dalton Maag for online and offline fluidity