When presented with a stray piece of paper my reflex is unfailingly to attempt an origami vagina (surprisingly difficult) so I feel that Marianne Beck’s recent undertaking is especially admirable. The Danish-born, Paris-based designer was able to create an entire typeface out of neatly overlapped paper using a few scraps and some clever folds, in an uncommonly cohesive and well executed series.
Perhaps even more surprising is the fact that this project has been relegated to a sweet site called Serendipity Graphic World, which is described as “a place for self-initiated projects, happy accidents, unexpected discoveries, projects of pure decoration, forgotten or rejected sketches or work in process.” It’s a treasure trove, and we’re very happy to have stumbled across it.
- Alice Zoo documents the real day-to-day lives of performers in a travelling circus
- Jenny Schweitzer's latest short is an uplifting account of life in an American retirement home
- Next 2 Nothing is the how-to manual of tips and tricks for any aspiring filmmaker
- Haleigh Mun on finding her own illustrative style rather than trying to be a “cool artist”
- Genuine collaborations inform Swiss design studio Omnigroup's broad practice
- Filmmaker Duncan Cowles on how your own tone of voice can create the best audience reaction
- An egg beats Kylie Jenner to become the most liked Instagram photo... ever
- Mastercard reveals new nameless logo courtesy of Michael Bierut
- Sam Youkilis uses scale, form and colour to challenge the tropes of travel photography
- Betina Du Toit's naturally-beautiful images are “stripped back from the non-essential”
- Giacomo Gambineri on shifting his creative career from graphic designer to illustrator
- Hiroki Nishiyama draws on traditional graphic design techniques in his illustration practice