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An open booklet featuring two contrasting illustrations. The left page shows a textured orange print of a figure, with the French text “L’assaut des certitudes l’utile férocité des tigres” below. The right page is a light purple with blue line drawings of figures and a clock, including the words “Fumons”, “La Gare” and “Les Passage”.

Marion Jdanoff explores the historical context of the world's big cats in Léopard = Nuit

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Date
13 July 2018

For French illustrator Marion Jdanoff, animals are always reoccurring in her work. Fans of hers will notice this too from seeing “dogs and wolves on one hand and big cats on the other, especially tigers and jaguars,” she tells us.

Drawing creatures, particularly big cats, isn’t a stylistic tendency of the illustrator’s, but rather an exploration of many different themes through time. “By drawing these animals and being fascinated with them, I find myself entangled in a complex history,” the illustrator explains. The themes which Marion picks up on form a vast and varied list, from “colonialism, empire and racism,” to “French universalism, a fascination for others, a very situated way of seeing nature, the wild, and ideas of conquest and separation.”

Rather than translate this interest and subsequent research into illustration, Marion fully recognises that “it is there,” she says. “I try not to ignore it. But, I keep going back to the problematic tigers, nearly magical creatures that I can invest with a lot of symbolics: night, freedom, wildness, struggling with capitalism, danger and protection.” Marion’s first exploration of this is documented in her latest book, Léopard = Nuit, where the illustrator tries “to figure out what they mean for me,” but it’s still very much a work in progress, an ambitious attempt to understand the different subjects.

A combination of written text and screen printed illustrations in Marion’s signature scratch-like drawing style, Léopard = Nuit, published by Palefroi, is an honest depiction of the thoughts the illustrator describes. In her text, displayed in a rambling, natural handwritten style which ties in nicely with her illustrations, she voices this. “Big Cats can be great allies to attack fences and walls,” she writes, “to make the ivory towers tremble, to track mercilessly preconceived ideas even in their most secret entrenchments and to disembowel certainties.”

Publications are often the medium Marion chooses to display her work, developing narratives from page to page. Léopard = Nuit may even be her most detailed book to date, illustrating and writing not only her own thoughts but ones that link to history and nature too.

An open sketchbook with handwritten French text and drawings in blue and orange ink. The left page is filled with dense writing, while the right page features a simple drawing of a figure in a cloak and a small animal.
Above

Marion Jdanoff: Léopard = Nuit

An open book featuring two contrasting pages. The left page shows an orange print of a tiger, with the French text “L’assaut des certitudes l’utile férocité des tigres” below. The right page is lilac with blue line drawings of a clock, a train station and animals.
Above

Marion Jdanoff: Léopard = Nuit

An open booklet with two contrasting pages. The left page is pink with an orange line drawing of an interior and the words “LA PARESSE” above a block of French text. The right page is turquoise with a blue illustration of a large cat standing on a table above a prone figure.
Above

Marion Jdanoff: Léopard = Nuit

An open booklet featuring two line drawings. The left page on brown paper shows a room with a hanging lamp and a cat on a shelf, while the right page on white paper shows a figure kneeling before a mountain under a green moon.
Above

Marion Jdanoff: Léopard = Nuit

An open sketchbook with a drawing on the left and handwritten French text on the right. The orange ink drawing depicts a figure curled up inside a cage-like structure.
Above

Marion Jdanoff: Léopard = Nuit

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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