Going through renowned graphic designer, Mirko Borsche’s portfolio is like when you decide to clear out your bedroom. Instead of an efficient tidy-up and throw-out, you spend hours pouring over every object, photo, book, handwritten note you own. The sheer volume of work Mirko has produced over the years is incredible, mostly because the standard is so high, I just hope some of his creativity seeps into my eyes while I view his work.
Each one of Mirko’s projects would been a visual treat for you all, but I’ve landed on his work for ZEIT Magazine and more specifically the covers he’s overseen, simply because I’ve never seen such an expanse of greatness in printed form.
All of today’s posts are focusing on the speakers at Here 2014, picking out a particular project to enjoy once again. You can follow the action live over on our @HereLondon Twitter feed.
- Harley Weir and Jamie Reid explore the functions of the female body for Baron
- Haw-lin Services and Tim Schmitt on their sci-fi identity for Berlin Biennale
- Winning proposals for regeneration of Old Street Roundabout announced
- Designer Paw Poulsen turns celebrities such as Bill Gates and Elton John into typefaces
- Friday Mixtape: a genre-spanning mix from creative agency Mogollon
- Non-Verbal Club's typography-heavy, sleek identity for Teatro Nacional de São Carlos
- Netflix unveils Netflix Sans, a new custom typeface developed with Dalton Maag
- Lacoste swaps famous crocodile logo for ten endangered species
- A chat with the Orwellian mastermind in charge of the UK town known as Scarfolk
- Will Anderson’s Bafta-nominated animation Have Heart follows a gif stuck in an infinite loop
- Original sets and puppets from Wes Anderson’s Isle of Dogs to be exhibited in London
- Dive into Mikey Joyce's portfolio with its “healthy balance of calculated and convoluted silliness"