Get tickets for Nicer Tuesdays August

Words by It's Nice That, Tuesday 07 August 2018

What are you doing on 28 August? We’ll be at Oval Space for Nicer Tuesdays, listening to a line-up which includes newly appointed Pentagram partner Sascha Lobe, illustrator and ceramicist Charlotte Mei and Luke Evans will be showing us his photography that will alter your perception of everyday life. Tickets are now available, here, so you can join us too!

Following your request in our recent audience survey, this month we’ll also be offering a discounted rate for those coming in a group of four or more!

Sascha Lobe is a name many graphic designers will recognise. With several accolades, including over 100 international design awards, earlier this year it was announced Sascha would move from his role at L2M3 Communication Design to become the latest Pentagram partner in London. To welcome him to London’s design scene, Sascha will be taking the Nicer Tuesdays audience through his impressive design career explaining how he got to this prestigious point.

Luke Evans is a photographer who bends a viewer’s eye. With a joyful attitude that takes objects and catapults them into something entirely new with the help of his lens, Luke’s images are never quite as they seem. After taking a break over the past few years during a brief experience with cancer, Luke will be taking the Nicer Tuesday’s audience through his personal journey and his eye-opening comeback project, Second Nature.

Charlotte Mei is an illustrator whose medium switches and swaps whenever she’s sees fit. Whether it’s a painting, a line drawing or a ceramic object, Charlotte’s pieces encapsulate a certain cuteness that has seen clients and fans fall for her time and time again. Constantly working on new pieces, Charlotte will be talking through her many methods of working and sharing the personal projects that go onto to inform her client-based work.

Event Partners

Nicer-tuesdays-aug19 — Adobe Stock

Keep your work fresh with Adobe Stock. No matter what project you’re working on, you can always find the perfect asset in the library of over 90 million high-quality images, graphics, videos, templates, and 3D assets plus our Premium and Editorial. Join them at Nicer Tuesdays to see what amazing things you can create with Adobe Stock. Click here

Nicer-tuesdays-aug20 — Dropbox

Dropbox Paper is a collaborative workspace that eliminates distractions that get in the way of creativity. Because you can work with all types of content – from video, to sound to code – in Paper, you and your collaborators can easily edit and discuss all aspects of your project in one centralised place.

Supported by

Most Recent

More like this:

Regulars / Nicer Tuesdays Craig Oldham talks through his latest book based on John Carpenter's They Live

Our final speaker at February’s Nicer Tuesdays was renowned British designer, Craig Oldham. With a portfolio that spans film, television, art and retail, Craig has experience in a wide range of fields. But it was his most recent project, They Live: A Visual and Cultural Awakening that Craig chose to speak through.

It's Nice That — 15 March 2019
Regulars / Nicer Tuesdays Anna Malin Mantzaris talks through the six-month process of her film Enough

Joining us at February’s Nicer Tuesdays was Swedish animator, Anna Malin Mantzaris. Based between London and Stockholm and represented by Passion Animation Studios, Anna works mainly in stop-motion animation. One recent project in this medium that massively caught our attention is a short titled Enough, which sees her characters do all the things we wish we could do in our daily lives – from slapping the phone out the hand of someone talking too loudly on the bus, to screaming and running out of the office workplace we’re sick of.

It's Nice That — 14 March 2019
Work / Nicer Tuesdays Rhea Dillon on portraying a "perspective of blackness on a day-to-day level"

The first speaker at February’s Nicer Tuesdays was London-based visual artist, Rhea Dillon. Discussing her inspirations and influences, she took the crowd through her most recent video project, Process on black hair, beauty and culture.

It's Nice That — 13 March 2019
Work / Nicer Tuesdays Alex Jenkins on how he developed his signature grotesque style

There are lots of reasons why creatives become fans of illustrator Alex Jenkins. His illustration style for one always grabs your attention, but it’s the ensuing narratives – which always follow a gross but very relatable storyline – that really hold your focus. To discuss how he developed this signature style and process of working that always makes us laugh, he joined us at February’s Nicer Tuesdays.

It's Nice That — 12 March 2019
Regulars / Nicer Tuesdays Tickets now available for Nicer Tuesdays March!

Back once again on the last Tuesday of the month… it’s Nicer Tuesdays! Taking to the stage for the March edition of our monthly event we’ll hear from animator Caitlin McCarthy, photographers Alexander Coggin and Yumna Al-Arashi and Mitch Paone of graphic design studio DIA.

It's Nice That — 05 March 2019
Regulars / Nicer Tuesdays Using society as a source of inspiration: what we learned from February's Nicer Tuesdays

At last night’s February edition of Nicer Tuesdays, each talk was a world apart from the one that came before it. Spanning the creative disciplines of filmmaking, comics, stop-motion animation, publishing and graphic design, not only did each talk share an alternate look into different outlets of creativity, but each speaker also showed the range of personalities and outlooks which fill the industry.

It's Nice That — 27 February 2019

Work / Graphic Design Protests, cute culture and the UK’s fruit market: Suzy Chan on her innovative design practice

Despite the fact that Suzy Chan is still a student at UAL’s London College of Communication, she has already created an enviable body of work that many experienced graphic designers will be most impressed with. As a designer whose crafted her portfolio around social affairs with a strong impetus on critical thinking, Suzy’s work so far boasts a variety of skill, technical ability and artistry that seems far beyond her years.

Jyni Ong — 25 March 2019
Work / Graphic Design Multi-disciplinary artist Samuel Burgess Johnson on his work for The 1975

Creative director, artist, graphic designer and photographer, Samuel Burgess Johnson, is most known for his typographic and photographic work for British pop rock band, The 1975. But for Samuel, the band are much more than just a client: “They are a part of my life, almost separate from the rest of my career. We are close friends and talk every day,” he tells It’s Nice That. On top of working with the band, Samuel’s portfolio is as vast as his multidisciplinary job title, working for high-profile clients such as Nike and Unilever, for which he recently worked on a range of projects, from branding to macro painting.

Daniel Milroy Maher — 25 March 2019
Work / Art Amanda Baldwin translates everyday objects into fine art reflections of society

Ever since the very first artist placed a brush onto a canvas, it seems as if painting the everyday objects that surround us is a natural act to draw in an audience. For some artists, such as New York-based painter Amanda Baldwin, investing attention towards creating still life artworks just felt natural, like the many artists over centuries who came before her.

Lucy Bourton — 25 March 2019
Work / Animation Animator and illustrator Anna Katalin Lovrity works with “brave and rough shapes”

Unlike many animators and illustrators, Anna Katalin Lovrity did not spend her youth glued to the screen, watching Cartoon Network and Disney films. In fact, from the age of six, Anna grew up without a television: “One day, our TV stopped working and my mom immediately threw it away,” she tells It’s Nice That. While it made things a little difficult at school – “I felt like an alien in my class since I hadn’t seen any of the films the other kids talking about” – it inspired myriad creative interests in Anna, from reading and writing to painting.

Ruby Boddington — 25 March 2019
Work / Photography Charles-Henry Bédué photographs the intimacy and mystery of family homes

When most of us think of family photography, we think of images imbued with nostalgic memories of warm childhood houses and an age of innocence. Photographer Charles-Henry Bédué uses this concept as a starting point for his ongoing series The House of Happiness, but instead of capturing the happy connotations of domestic life, he photographs the darker, somewhat disturbing corners of the family home.

Jyni Ong — 25 March 2019
Work / Publication Erik Brandt releases his final Ficciones Typografika as a book documenting the project’s entirety

From 2013-2015, Erik Brandt exhibited the work of well-known and up and coming designers on a piece of cedar board attached, by himself, to the side of his garage in Minneapolis, Minnesota. The self-initiated exhibition space, titled Ficciones Typografika, began as an invite-only project before being opened to submissions and rapidly grew into a “who’s who” of experimental typographic practice within the global design community.

Ruby Boddington — 25 March 2019

Work / Photography Jan Enkelmann's new book Smoking Chefs does what it says on the tin

German documentary photographer Jan Enkelmann swapped Stugart for London at the turn of the millennium. Since then he’s trained his lens on all sorts, from the poly-vocal perversities of Speaker’s Corner in Hyde Park to the big hats and broiled burgers that come with a day at the races. His latest book, Smoking Chefs does what it says on the tin. Taken in London’s Chinatown, the photos show the enclave’s kitchen workers enjoying that guiltiest of modern pleasures; the five-minute ciggy break.

Josh Baines — 25 March 2019
Work / Animation Experimental animator Amanda Bonaiuto on building her own worlds

Back when Amanda Bonaiuto was in high school, an interest in moving image was kindled by one of her teachers. Showing her the work of The Brothers Quay, the young Amanda was struck by their film Street of Crocodiles, unable to believe their ability in building worlds. Following an undergraduate degree where she spent her days drawing and painting, the craftsmanship of animation came into play yet again, working with puppets and experimenting with materials.

Lucy Bourton — 22 March 2019
Work / Graphic Design Jaeha Kim channels different discplines of art through his graphic design practice

“I love making posters,” says Seoul-based graphic designer Jaeha Kim. “It is the one medium that can contain all the elements of graphic design.” Jaeha’s posters, not to mention all his other outputs, draw on many aspects of the visual arts, which he then refines using his graphic design knowledge. Elements such as illustration, photography and fine art are drawn out in Jaeha’s designs. He tells It’s Nice That on this subject, “I like the idea that I can bring any other forms of art into this genre and make it a part of the visual system.”

Jyni Ong — 22 March 2019
Work / Publication The 14th issue of Nest speaks to the myriad experiences of gender

Student magazines are a right of passage for many, whether you’re a designer honing a visual identity for the first time, an editor curating a line-up of content, or a photographer seeing your work in print. At Leeds Arts University, this has been the case for many students involved in Nest, a publication first started in 2012, now in its 14th issue.

Ruby Boddington — 22 March 2019
Work / Illustration Óscar Raña's scientific approach to illustration makes for beautiful geometric drawings

Born in northwest Spain, Óscar Raña went on to study a BFA and master’s in book illustration and animation at Universidad de Vigo, in his local city of Pontevedra. Focusing primarily on geometric elements, his work is often wonderfully simple and laid out in comic book fashion.

Daniel Milroy Maher — 22 March 2019
Work / Illustration Cabeza Patata brings energy and vivacity to its portfolio of 2D and 3D illustrations

Cabeza Patata AKA Abel Reverter and Katie Menzies, despite being a studio with a distinctive style and creative output, sort of happened by accident. A couple outside of their work, Kate and Abel have “always fed off each other’s creative energy” but, before Cabeza Patata it never had a “specific purpose or name”.

Ruby Boddington — 22 March 2019

Work / Photography Whippets FC champions the unity and community of women’s football

The footballers of Whippets FC are much more than your average-Joe’s meeting up once a week to let off some steam and have a pint in the local. For one, their team consists of a very established group of creatives including visual artist Rose Pilkington, The XX’s Romy Madley Croft, creative director Sarah-Jayne Todd, artist-designer Coco Capitán and many other talented creatives that grace the studios of London. And playing to these strengths, the Whippets FC players have collaborated on a new kit showcasing the community and creativity of the club, as well as women’s football.

Jyni Ong — 22 March 2019
Work / Publication République's new look for Playboy is "aimed at anybody and everybody"

After an award-winning redesign of France Football, the country’s most popular and treasured football publication, Paris-based studio République attracted the attention of another magazine with a rich, though in this case controversial, history: Playboy. Impressed by the elegant new branding that République created for one of Europe’s most revered sports weeklies, the French edition of the infamous men’s lifestyle magazine encouraged the studio’s founder, Tom Uferas, to enter the competition for its own redesign.

Daniel Milroy Maher — 22 March 2019
Work / Graphic Design Morteza Vaseghi pushes for the notion of art in a graphic design context

Influenced by surrealism, the graphic designer and art director Morteza Vaseghi remembers his childhood emblazoned with memories of Magritte, Dali and Klarwein while Pink Floyd was playing in the background. It is an influence that has carried on into his working life, following him around Tehran, where he grew up, London, where he studied and Oslo, where he now resides. As a result, his work hints to dreamlike scenes and abstract forms, which are then designed and art directed into coherent works of conceptual graphic design.

Jyni Ong — 21 March 2019
Work / Photography Photographer Kyle Weeks captures a new narrative of hope and creativity for Africa's youth

Born to a South African father and a half American, half German mother, photographer Kyle Weeks spent his childhood in Namibia’s capital city, Windhoek. Later studying photography at the Stellenbosch Academy, he says he became “acutely aware of the history of photography as a medium on the African continent.” Realising that what had once been a tool used for visual oppression was now a method of empowerment that allowed people to take control of their own identities, he decided that this was a dialogue he wanted to contribute to.

Daniel Milroy Maher — 21 March 2019
Work / Graphic Design Lars Högström's typographic choices are inspired by the hip-hop cassettes of the 90s and 00s

For Helsinki-based graphic designer Lars Högström, music and graphic design seem to always be entwined. Having graduated from Aalto University last December with a bachelor’s in visual communication, Lars produces work for and about music, often for personal projects exploring graphic design as a somewhat “relaxing obsession”.

Ruby Boddington — 21 March 2019
Work / Animation 3D animation pioneer Jennifer Steinkamp on her current solo show, Impeach

As we encounter increasing amounts of 3D animation here at the It’s Nice That office, it’s easy to forget where this relatively new form of art originated. The LA-based artist Jennifer Steinkamp is a pioneer in the field of 3D animation, working exclusively in digital media to beautifully render “organic and abstract forms in motion”. On the subject of her work, she tells It’s Nice That, “I am fascinated by software’s ability to create ideas we would never conceive of in the natural world.”

Jyni Ong — 21 March 2019

Work / Photography Photographer Michal Solarski replicates memories and experiences from his youth

Having graduated from university with a degree in politics, specialising in journalism, Michal Solarski moved from Poland (his home country) to London, where he’s been based for the past 15 years. A photographer whose work takes cues from his journalistic introduction to the medium, today, he works somewhere in the grey area between fine art and documentary photography, recalling memories and experiences from his youth.

Ruby Boddington — 21 March 2019
Work / Publication Issue six of Le Gun is a reaction to the madness and extremes of contemporary culture

After an eight-year hiatus since the last issue of Le Gun in 2011, the team behind the narrative art magazine have regrouped for what may be its final release. Consisting of Matthew Appleton, Alex Wright, Stephanie von Reiswitz, Neal Fox, Robert Rubbish And Bill Bragg, the longstanding collective of illustrators joined forces once more back in 2017, after much time spent working on their own projects and exhibitions, to start putting together this sixth issue. Two years later, and it’s finally here.

Daniel Milroy Maher — 20 March 2019
Work / Illustration Anna Parini's bold editorial work demonstrates the "authorial power" illustration can have

Born in Milan, where she later studied illustration, Anna Parini eventually moved to New York to pursue a career in editorial artwork. “On the three-year course I attended, it was an area that was hardly considered a possible profession because, in Italy at that time, there were few who dedicated themselves exclusively to it,” she says of her time in education.

Daniel Milroy Maher — 20 March 2019
Work / Animation A tiny pink dog in jail? Victoria Vincent’s latest animation is an absurd tale

If you have a spare minute today, make sure you dedicate those 60 seconds to watching Mask Dog. Although clocking in at such a short running time, Victoria Vincent’s recent piece is a perfectly succinct story about a masked dog incarcerated for some unfathomable reason.

Lucy Bourton — 20 March 2019
Work / Digital Bingo Type: Datagif animates typefaces in the style of French TV shows

For the sake of our collective sanity, work needs to occasionally be fun. Too much seriousness isn’t good for anyone. Apart from surgeons and EU negotiators, obviously. Parisian information agency Datagif values fun projects as a way of staying explorative and innovative while working on more commercial activity.

Jyni Ong — 20 March 2019
Work / Photography Davina Joggi's The Portrait examines Zimbabwe after Mugabe

The figure of Robert Mugabe looms large over late-20th and early-21st-century African history. The former president of Zimbabwe was ousted in what amounted to a de facto coup in November 2017, but his legacy – and his image – lingers in the memory.

Josh Baines — 20 March 2019

Work / Photography Nikita Teryoshin's Ahoi from Zhuhai mirrors the confusion and joy of visiting a new country

Since 2014, the Chinese Academy of Social Sciences has reported that Zuhhai is the “most liveable city” in China. Located in the south of the country, it’s a surprisingly lush and green environment in comparison with the smog-filled streets of the more famous Beijing or Shanghai. Documentary photographer Nikita Teryoshin’s series Ahoi from Zhuhai, however, focusses its lens away from scenery and, instead, on the people who inhabit the city, capturing myriad strange and fortuitous moments from a week-long trip.

Ruby Boddington — 20 March 2019
Work / Graphic Design For Gianluca Alla, typography is “literally the A, B, C of visual communication”

“I don’t want to be the kind of designer who designs just posters,” says Italian graphic designer Gianluca Alla, now living in London. Nor does he want to be the kind of graphic designer “who just animates letters”, cheekily commenting on some of the throwaway forms of graphic design increasingly seen nowadays.

Jyni Ong — 20 March 2019
Work / Graphic Design Bath School of Art alumni collaborate on a 90 metre-long mural delving into the university’s archive

While most building site hoardings are covered with ugly adverts, or at a stretch, a fun-coloured lick of paint, Bath School of Art and Design had other ideas in mind. The university is relocating its main campus to a former Herman Miller factory, and while the grade II listed building undergoes renovations to transform it into a new studio space flush with creative facilities, the art school put out an open call to students and alumni to creatively cover the building site’s hoardings. The project resulted in a collaborative public art project titled Locksbrook, led by Carl Godfrey, calling on the art school’s alumni and students to delve through the university’s archives to plaster the 90 metre-long hoardings.

Jyni Ong — 19 March 2019
Work / Art Debora Cheyenne Cruchon's digital paintings explore childhood, ancestry and spirituality

At once dark and bold, multi-disciplinary artist Debora Cheyenne Cruchon’s new series, Soft Strobe , explores her childhood environment and her ancestry, as well as traditions and spirituality. “I wanted to focus on the suburbs of Paris where my family currently lives and my Reunionese background,” she tells It’s Nice That. “Being so far from home, I have often felt disconnected with those very elementary things that gives someone stability and grounding.”

Daniel Milroy Maher — 19 March 2019
Work / Publication Just Lookin': Aysen Gerlach's publication explores queer aesthetics in mainstream media

Aysen Gerlach is a Brooklyn-based illustrator originally from New Jersey. She’s a libra, is currently working as a cheesemonger, is a bit of an aspiring baker and her favourite hobby is doing karaoke. Aysen is also the creator of Just Lookin’ a self-described “visual journal” she started to “explore queer aesthetics in mainstream media,” she tells us. It’s also our new favourite publication.

Lucy Bourton — 19 March 2019
Work / Animation Alexis Jamet's animations are warm, nostalgic and beautiful in their simplicity

Growing up shooting skateboard videos with his friends, Paris-based designer Alexis Jamet was tasked with making the titles and illustrations for these early creations. Eventually branching into producing zines about the Paris skate scene, he coupled this creative pursuit with clothing and board design for his local skate shop. “I then wanted to study filmmaking, but I wasn’t academic enough, so I found a hand lettering school which was a better option me,” he tells It’s Nice That. “After that, I naturally drifted into graphic design and, more recently, animation.”

Daniel Milroy Maher — 19 March 2019