Launch Recite Me assistive technology

Sascha Lobe joins Pentagram’s London office as partner

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Date
26 June 2018
A concrete gallery space features a black overhead sign that reads “LOOKING FOR THE FUTURE”. A large black information panel is mounted on a grey concrete wall beside a red-lit glass room.
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Sascha Lobe. Courtesy of Pentagram

Celebrated designer Sascha Lobe is joining Pentagram’s London office as a partner. The german graphic designer, moves from L2M3 Communication Design and also works across architecture. Lobe has received over 100 international awards, including the Type Directors Club New York, Red Dot Design Award and European Design Award.

Specialising in spatial linguistics and three-dimensional communication, Lobe has worked with globally renowned companies like Adidas and Hugo Boss, and designed projects for cultural institutions including Kunstmuseum Stuttgart and Württembergischer Kunstverein. Lobe was also the mind behind Bauhaus-Archiv Museum’s popular new identity. The designer is currently spending his time on a number of signage projects for Bibliothèque nationale de Luxembourg and Kunsthaus Zürich, and is creating bespoke typefaces for art concept store and magazine, Qompendium, and also acts as a professor of Typography at the Offenbach University of Art and Design.

“Pentagram stands for timeless quality and a long-lasting design language,” says Lobe. “It is a perfect terrain for me to grow and communicate my ideas and visions." Pentagram partner Marina Willer says of Lobe: “Sascha’s work pushes the boundaries of our discipline, constantly reinventing and exploring new forms of engagement through typography and graphic design language. It is extremely exciting to have a partner that creates such innovative and beautiful work.”

Lobe will be Pentagram’s 11th partner based in London, and follows the appointment of Jon Marshall in April, co-founder at industrial design consultancy Map. They sit alongside London partners Marina Willer, Angus Hyland, Naresh Ramchandani, Luke Powell and Jody Hudson-Powell, Domenic Lippa, Harry Pearce, John Rushworth and Daniel Weil.

An open book with a cream cover features the text “Susan Philipson” and “The Missing String”. Thin pieces of string are sewn through the pages, trailing across the cover and the opposite white page.
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Sascha Lobe. Courtesy of Pentagram

A white book or brochure lies diagonally across a vibrant blue surface. The cover features the word “bill,” in a bold, black lowercase typeface.
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Sascha Lobe. Courtesy of Pentagram

An open book with a grey halftone pattern features bold, scattered letters and geometric shapes. The book is laid across a red surface, surrounded by large sheets of blue and yellow paper.
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Sascha Lobe. Courtesy of Pentagram

A large graphic poster is attached to the industrial steel scaffolding of a modern building. The white poster features a blue dotted handprint and the word “bauhaus” split across three lines.
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Sascha Lobe. Courtesy of Pentagram

A bold typographic composition in black and white. The letters are fragmented and rearranged to spell “San Francisco” across five lines.
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Sascha Lobe. Courtesy of Pentagram

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About the Author

Daphne Milner

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Daphne has worked for us for a few years now as a freelance writer. She covers everything from photography and graphic design to the ways in which artists are using AI.

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