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A black and white photograph of a modernist building with a clock on its facade and the word “MUSEUM” above the entrance. Beside it, a large black capital “R” is set against a bright blue background.

Rektorat: a type family adapted from letterings discovered during a renovation

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Date
12 April 2018

In 2001, during a renovation at the Museum für Gestaltung in Zurich, a set of original letterings were discovered hidden behind some wallpaper. The characters were individually painted and had been manufactured by hand in 1933 to be used as signage for the modernist building.

Now, 85 years later, Zurich-based type design studio Nouvelle Noire – in collaboration with Rudolf Barmettler – has released Rektorat, a type family based on the original historical letterings. “It’s this handmade, geometric aesthetic where you feel the spirit of the modernist era and the artistic craft,” respond Anton Studer and Clovis Vallois of Nouvelle Noire when asked what it was about the uncovered glyphs that initially sparked the studio’s interest.

Rektorat is the result of years of work by Rudolf (a teacher) who, in 2001 when the original letterings were first discovered, worked alongside a group of students to trace parts of the characters, refining them and then fully redrawing them in ink. A year later, while teaching at F+F Design School, he created additional weights, again with the help of students. Font designer Reinhard Haus then helped to digitise the drawings and extend the fonts using Fontographer.

“The objective was to create a family,” Nouvelle Noire explains, “Unfortunately, however, this was never realised.” Since 2014 Nouvelle Noire has worked alongside Rudolf to rework the entire concept and every detail of the typeface to “make it more than just another historical remake,” the result of which is Rektorat.

The outcome is a “reduced, but not cold” typeface, inspired by the geometric styles were widely used in the 1930s. Although the original lettering was only in one weight, Rudolf and Anton have extended the family to include the weights “hairline” and “heavy”, with five more in-between. All weights are then available in two styles: a “normal” and a “Re” version, “which stands for recurved and adds extra endings on selected letters,” the studio explains.

Rektorat is an unapologetically modernist and visually bold typeface, intended to be used on posters, packaging and corporate identities due to its signage history. Although inspired by an intriguing and altogether endearing story, the work Rudolf and Anton have done to extend the font beyond its original style has created a typeface with its own merit and context in the modern day.

The numbers “385” are shown in three different weights of the NN Rektorat typeface against a blue background. From left to right, the numbers appear in “Heavy”, “Regular” and “Hairline” weights.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

A typographic specimen on a blue background showcasing the NN Rektorat typeface. The word “Fabrikat” and the numbers “№142719” are displayed in various weights, from “Heavy Re” to “Hairline”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

A graphic showing the different weights of a typeface against a blue background. A large, black capital “B” is followed by a series of vertical strokes that gradually thin from “Bold” to “Hairline”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

Bold black typography on a blue background reads “Meier+ Keller Co”. Small text in the bottom left corner reads “NN Rektorat Medium”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

A typographic study in black on a blue background. The image shows a bold sans-serif typeface, a full alphabet and number set, and a detailed construction grid of the letter “R”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

Two bold, black lowercase “e” characters are set against a bright blue background. Small text below the letters reads “NN Rektorat Medium” and “NN Rektorat Medium Re”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

A typographic specimen on a blue background showing a bold, geometric sans-serif typeface. The alphabet and numbers are displayed in two columns, alongside a list of font statistics including “85 Years” and “14 Cuts”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

The word “O.K.” appears in a bold, black sans-serif typeface against a bright blue background. Small text in the bottom left corner reads “NN Rektorat Light (Alternate O)”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

A black and white photo shows a person in a workshop holding a bent metal frame. Beside it, a blue graphic displays a black geometric shape aligned to a grid with overlapping circles.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

A typographic specimen on a blue background showcasing different weights of the NN Rektorat typeface. The text reads “1 Building”, “85 Years”, “Many Eyes”, “& Work”, “Busy Hands”, “1 Family” and “2 Styles, 7 Weights”.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

A blue background with black text in a bold, geometric typeface. The text reads “This is Rektorat, a new type family based on historical letterings originally created in 1933.” It continues to explain the font's use for signage in a modernist building.
Above

Nouvelle Noire and Rudolf Barmettler: Rektorat

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About the Author

Ruby Boddington

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Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

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