Ring the bells, fly the flags and light the beacons from sea to shining sea good people of the internet, because have we got news for you. There’s been whispers, rumours and speculation, lies, damn lies and statistics but today is the day when we present our brand new magazine.
A new format, a new editorial approach and first and foremost a new name – everyone here is proud and excited to introduce you to Printed Pages. The 84-page, saddle-stitched publication is built around eight main features with a new cover price of just £4. Despite the changes our core values – breadth, accessibility and enthusiasm – have remained at the forefront of our thinking, as have the design values our readers have come to expect from our publications.
For this first issue we’ve got interviews with Sagmeister & Walsh and Chris Ware, a snoop around Apartamento founder Omar Sosa’s flat, features on sculpture parks, graphic design in Barcelona and Why Not Associates’ old slides, and chats with Guess Who? illustrator Jon Goode and young filmmaker Hanly Banks. Letters of Note founder Shaun Usher has written the introductory Nice piece and Emily Kai Bock told us about the unlikely beauty of security lighting.
Check out our sweet new website too, where you can also bag a copy of the first ever issue of Printed Pages and we are also pretty stoked to unveil our new shop as well, Company of Parrots, where you can pick up some specially-commissioned t-shirts as well as the magazine. We just hope you enjoy reading it as much as we loved putting it together…
- Ruud van Empel’s uncanny photographs blend artificiality with naturalism
- Grant James-Thomas shoots twins with a painterly aesthetic for Vogue Italia
- In Stiya, photographer Cole Barash compares a storm and the birth of his first child
- Nano illustrates the different kinds of loneliness that we all feel from time to time
- Jan Hakon Erichsen is a balloon-destroying artist whose work you really shouldn't try at home
- Clarity of concept is at the heart of Seoul-based graphic designer Son Ayong’s posters
- “The future of design is in the creation of tools”: Meet the Space Type Generator
- How Pelle Cass creates his jarring “still time-lapse” images
- Lacoste once again swaps its iconic crocodile logo for ten endangered species
- Introducing Double Click – our new series rounding up the best of the digital design world
- Typeface Ciao communicates auditive intonations of the spoken word
- Yushi Li on photographing men she met through Tinder