Richard Turley is one of the most respected designers around, lauded by the industry and the design press for his funny, daring and creative approach in helping revive the fortunes of Bloomberg Businessweek. But when It’s Nice That approached him about an article for Printed Pages looking at this part of his career he was reticent. “To be honest with you,” he told us, “I have a slight anxiety that everyone must be bored shitless about me whining on about those covers.”
Instead he wondered, would we be interested in the fact that he was about to start work on iconic music magazine ’SUP and its special issue commemorating a festival held in the Californian desert? Yes. Yes we would.
And so we got to tell the exclusive story about how Richard and his Bizweek colleagues Emily Keegin and Tracy Ma went about producing this amazing record of last year’s A Day In The Desert; a new kind of festival held in the mindbending surroundings of the Joshua Tree National Park.
It is a graphic design story in a way with talk of typefaces and layouts but it also drills down to the very core issue surrounding magazines; in what ways can the medium best capture the stories we are trying to tell?
Buy the new issue of Printed Pages right here!!
- From Kanye West to Cartoon Network: Encyclopedia Pictura’s latest animations champion the power of DIY skills
- Amad Ilyas’ Naach Girls project explores the portrayal of dancing girls in South Asia
- Haruna Kawai breaks down the boundaries between illustration and sculpture
- Sam Jayne's abstract and psychedelic design portfolio is inspired by nature
- Catching up with Charlotte Trounce while on a residency in Japan
- "I always seem to look for oddities": photographer Clark Franklyn on his dreamy landscapes
- "Don't drink and dance in front of your peers": ten creatives on their biggest mistakes
- Beyoncé and Jay Z take over the Louvre for Apeshit music video
- All internships are not created equal: how to spot the best opportunities and have the courage to reject the duds
- Tsto returns to design Flow Festival's identity, pushing and playing with its typography
- Why counter-culture matters: Rough Trade launches publishing venture designed by Craig Oldham
- How Alex Prager made the world stop and stare