Illustrator Rami Niemi once gave me a hug at a private view in Amsterdam and I don’t mind telling you it’s one of the top five experiences I’ve ever had in an art gallery. We were sharing a moment of mutual appreciation following on from our post on the young Finn last year and ever since we first laid eyes on his work we’ve been fully paid up members of the Rami fan club.
We’re not alone – his combination of a friendly, almost childlike style and fiendish sense of naughtiness has won him an army of admirers and a host of commissions, all of which he smashes out the park. But even by his own high standards this latest series for the Art Directors Club 2013 Annual is an absolute belter as Rami turns his gaze on the creative industry. His witty, communicative, occasionally caustic but consistently great-looking illustrations tie DDB New York’s publication together and prove once again that Rami is much more than a terrific hug-giver.
You can see more images from the ADC Annual at their Behance page.
- Manshen Lo creates surreal, comic-inspired observational illustrations
- “To me, being a man just means being yourself”: five creatives share their thoughts on masculinity
- Hexatope: the web-app utilising computational arts to make personalised jewellery
- Lucy Hardcastle on her “most progressive film to date”
- Moby Digg creates grid-based identity for finance company Baugeld Spezialisten
- Typography and National Socialism – the journey of Futura in an era of "reactionary modernity"
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum