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A person sits on a chair in a bedroom, looking directly at the camera. Behind them is a vanity mirror framed by bright lightbulbs and a wall decorated with black and white photographs.

Ramie Ahmed on documenting his Black trans and queer chosen family in New York City

Whether it’s at a protest or in the quiet of their rooms, Ramie Ahmed is documenting his community loudly.

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Date
13 July 2023

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If you look, much can be found photographically of queer people in New York City. But is it enough, is it Black enough and who has been holding the camera? These are the questions that New Jersey born and raised Ramie Ahmed is answering within his practice as a “lens-based artist” documenting his Black trans and queer chosen family in the city. “I want to shed a light on the vast community, so that others can be inspired to live authentically”. And with such intention behind his work, he walks around with his camera held high – not by his hip waiting to get a secret shot – so that his subjects can be brought into the moment, looking straight down his lens.

Ramie’s process consists of more than a snap; he seeks to bring every person he documents into a moment of joy and safety. Capturing beauty, protest, couples holding hands, park-bench laughter and club nights, he is creating narratives outside of campaigns within genuine communities. And besides being inspired by Nan Goldin’s similar penchant for documenting the less visible, Ramie is simply driven by his friends. “They keep their heads high, carry themselves with grace despite the world we live in as LGBTQ+ people – and they look good doing it”.

Two people hold hands in the middle of a city street, surrounded by a crowd. One wears a long, pale pink lace dress and a crown of white flowers, while the other wears a black suit with the jacket open.
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Ramie Ahmed: Benji & Jae, Stonewall (Copyright © Ramie Ahmed 2021)

A person with a large afro looks directly at the camera. They wear a bright blue dress and a wide, gold-coloured neck ring.
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Ramie Ahmed: Joella, Stonewall (Copyright © Ramie Ahmed 2021)

Two people sit close together, leaning their heads against one another. One wears orange-tinted glasses and a metallic silver bikini top, while the other wears a black bikini top.
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Ramie Ahmed: Muse Spirit, Pride (Copyright © Ramie Ahmed 2021)

A person with curly hair looks directly at the camera, wearing glasses shaped like orange and yellow butterfly wings. They wear a pearl necklace and a colourful, textured garment.
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Ramie Ahmed: Neptunite, Stonewall (Copyright © Ramie Ahmed 2021)

A person in a white dress dances on a paved plaza, their skirt swirling around them. The dress features blue tie-dye patterns around the hem, and they are posed with one arm raised. Behind them is a modern building with large glass walls and a glass canopy.
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Ramie Ahmed: Neptunite, Brooklyn Liberation March (Copyright © Ramie Ahmed 2021)

A person with short hair and several tattoos lies on their stomach on a grey bed. They wear gold chains and look directly at the camera.
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Ramie Ahmed: Zaire, Black Beauties (Copyright © Ramie Ahmed 2022)

A person sits on a chair in a sparsely furnished room, looking towards the camera. They wear a light purple sweatshirt and checked trousers, lit by a warm lamp from the side.
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Ramie Ahmed: Joi, Black Beauties (Copyright © Ramie Ahmed 2022)

A large crowd of people gather in front of a neoclassical building, holding various protest signs. Prominent banners read “Black Trans Lives Matter”, “End Gender Reveals!”, “Black Trans Power!” and “Trans Youth Power!”.
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Ramie Ahmed: Brooklyn Liberation March (Copyright © Ramie Ahmed 2021)

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Ramie Ahmed: Joela, Black Beauties (Copyright © Ramie Ahmed 2022)

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About the Author

Yaya Azariah Clarke

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Yaya (they/them) was previously a staff writer at It’s Nice That. With a particular interest in Black visual culture, they have previously written for publications such as WePresent, alongside work as a researcher and facilitator for Barbican and Dulwich Picture Gallery.

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