When she’s not drawing obviously fictional characters whose appendages are ambiguously jointed and whose faces are sublimely happy (excellently so), a lot of Rebecca Crompton’s illustration looks like it’s some visual inventory of her immediate surroundings – good, honest observational drawing. Although granted, Rebecca must see the world in a different way to the rest of us.
It is satisfying to look through a portfolio that someone has clearly had a lot of fun putting together. The subject matter isn’t all that serious but then it’s also no mean thing to depict such easy humour. And that she does! With hasty painted lines, occasional glimpses of collage and page filling colour, plus, and it’s a big plus, she draws a lot of dogs (and we all know dogs are better than cats. Discuss.).
- LuckyMe’s Lunice film for Apple Music is a theatrical trip through 90s hip hop videos
- Printed Pages AW17 is now available for pre-order – with exclusive prints, a party and more!
- Tatiana Ermolaeva's coherent “but not too slick” work for the Strelka Bar
- BBC’s David Bailey’s must watch talk for font fanatics from Nicer Tuesdays
- Shin Morae translates her memories into pastel illustrations
- Sarah Meyohas combines virtual reality, 10,000 roses and artificial intelligence in Cloud of Petals
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum