Ballsy, bizarre and a little bit racy, these Mexican pulp fiction book covers are fantastic fun and epitomise our need for a bit of weird naughtiness. The kitsch-factor is overwhelming as scantily clad women run away in terror, a man in purple spandex is surrounded by adoring cats and giant robots menacingly pick up shiny red cars.
As part of an exhibition at New York gallery Ricco Maresca held earlier this year, the collection is a celebration of pulp paperbacks released in Mexico during the 60s and 70s. Many of the artists remain unidentified which is a shame as some of these are absolute gems. Without book titles, there’s no context for the artwork and we’re left with the ordinary and extraordinary crashing into each other in glorious fashion. According to Ricco Maresca, there’s a key difference between Mexican pulp art and the American pulp art coming out at the same time. As well as the drama and sauciness, much of Mexican pulp art prominently featured violence, sci-fi, psychedelia, and crime, making it all the more outrageous.
- Photographer Eli Durst's series Pinnacle Realty challenges stereotypes of suburban America
- Grace Miceli’s bold and playful illustrations re-interpret brands in humorous ways
- Tsto returns to design Flow Festival's identity, pushing and playing with its typography
- Rosie Yasukochi's vibrant comic reflects on post-generational trauma
- Patrick Kyle's helpful advice on how to start out at illustration fairs
- "Don't drink and dance in front of your peers": ten creatives on their biggest mistakes
- Crayola launches a makeup range based on its ubiquitous crayons
- Portfolio tips from top studios: what to leave in (and out) and how to get noticed
- The Graduates 2018: Should I get a job or go freelance?
- All internships are not created equal: how to spot the best opportunities and have the courage to reject the duds
- Erik Spiekermann brings five unfinished fonts from Bauhaus design masters to life with Adobe
- Why counter-culture matters: Rough Trade launches publishing venture designed by Craig Oldham