Ballsy, bizarre and a little bit racy, these Mexican pulp fiction book covers are fantastic fun and epitomise our need for a bit of weird naughtiness. The kitsch-factor is overwhelming as scantily clad women run away in terror, a man in purple spandex is surrounded by adoring cats and giant robots menacingly pick up shiny red cars.
As part of an exhibition at New York gallery Ricco Maresca held earlier this year, the collection is a celebration of pulp paperbacks released in Mexico during the 60s and 70s. Many of the artists remain unidentified which is a shame as some of these are absolute gems. Without book titles, there’s no context for the artwork and we’re left with the ordinary and extraordinary crashing into each other in glorious fashion. According to Ricco Maresca, there’s a key difference between Mexican pulp art and the American pulp art coming out at the same time. As well as the drama and sauciness, much of Mexican pulp art prominently featured violence, sci-fi, psychedelia, and crime, making it all the more outrageous.
- Malika Favre talks about studying engineering, her first job and tight deadlines from The New Yorker
- Say what you see, it’s Best of the Web!
- The art of plane watching captured by Mindaugas Kavaliauskas
- Friday Mixtape: escape from the world with Xenoula's ethereal mix
- Towers of Thanks: Res photographs their mother's life working for Donald Trump
- A world of pain: Sixteen Journal's latest issue
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner